Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice

Roč.49,č.1(2014)

Maciej Jochymczyk

https://doi.org/10.5817/MB2014-1-15

Trvalý odkaz (handle):
http://hdl.handle.net/11222.digilib/130215

• Abstrakt
• Reference
• Metriky

Abstrakt

Among the works by Amandus Ivanschiz OSPPE (1727–1758) there is a number of compositions entitled Oratorios that do not fit the accepted definitions of the genre. The pieces, as we know them today, are short religious cantatas with texts praising Jesuit saints. The purpose of this text is to give an overview of the critical analysis of the preserved musical sources and the assessment of their credibility, as well as putting Ivanschiz's Oratorios in the context of liturgical tradition of Jesuits from Graz, for whom the compositions were written. Such an approach enables us to clarify the adopted definition of the genre and the role the music initially played. As it follows from the preserved music sources and account books from the St. Ägidius Church in Graz, the five Latin Oratorios do not constitute a set of completely separate works, but de facto a one, five-part cyclic composition, musically complete parts of which were performed separately in consecutive odd days of novena. All mentioned works are contrafacta; originally they were composed to German lyrics, dedicated to St. Francis Xavier. Quite evidently Oratorios in this form were related to the nature of musical life and liturgical tradition of the Jesuit College in Graz.

Klíčová slova:
Amandus Ivanschiz; Oratorium; Graz; Jesuits; contrafactum; St. Francis Xavier

Stránky:
251–260

Reference

FLOTZINGER, Rudolf. Die Anfänge des Oratoriums in Graz. Historisches Jahrbuch der Stadt Graz, 1986, no. 16/17.

JOCHYMCZYK, Maciej (ed.). Amandus Ivanschiz: Missa in C. Musica Claromontana vol. 10, Cracow, 2013.

JOCHYMCZYK, Maciej. Twórczość religijna o. Amanda Ivanschiza OSPPE [Religious music by Fr. Amandus Ivanschiz OSPPE]. Doctoral dissertation, Institute of Musicology, Jagiellonian University, Cracow, 2012.

KIM, Katalin and Katalin SZACSVAI. Dokumente über das Musikleben der Jesuiten. Instrumenten- und Musikalienverzeichnisse zur Zeit der Auflösungen. Studia Musicologica Academiae Scientiarum Hungaricae. 1998, vol. 39, no. 2/4.

KOHLBACH, Rochus. Der Dom zu Graz. Die fünf Rechnungsgebühren der Jesuiten. Graz, 1948.

POKORN, Danilo. Amandus Ivančič in njegovo posvetno skladateljsko delo. Doctoral dissertation, University of Ljubljana, 1977.

SEYDLER, Anton. Geschichte des Domchores in Graz von den Zeiten Erzherzogs Karl II. bis auf unsere Tage. Kirchenmusikalisches Jahrbuch. 1900, vol. 15.

SMITHER, Howard E. A History of the Oratorio. Vol. 2: The Oratorio in the Baroque Era: Protestant Germany and England. Chapel Hill, 1977.

SMITHER, Howard E. A History of the Oratorio. Vol. 3: The Oratorio in the Classical Era. Oxford, 1987.

SULZER, Johann Georg. Allgemeine Theorie der Schönen Künste. Vol. 1. Leipzig, 1771.

Metriky

2

Crossref Cited-by

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