Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser
Roč.52,č.1(2017)
Abstrakt
Klíčová slova:
accelerationism; autopoiesis; Charlotte Moorman; cybernetics; Edgar Varèse; expanded cinema; Gene Youngblood; intermedia; John Cage; Karlheinz Stockhausen; Marshall McLuhan; Nam June Paik; posthumanism; synaesthetic video; Vilém Flusser; Wolf Vostell
Stránky:
139–147
This paper examines the "relationship" between sound/image/performance in the collaborative work of Nam June Paik and Charlotte Moorman, within the framework of Paik's "experimental TV," Gene Youngblood's "expanded cinema", and the evolution of the "technical image" envisaged by Vilém Flusser (and augmented by recent developments in "accelerationism").
accelerationism; autopoiesis; Charlotte Moorman; cybernetics; Edgar Varèse; expanded cinema; Gene Youngblood; intermedia; John Cage; Karlheinz Stockhausen; Marshall McLuhan; Nam June Paik; posthumanism; synaesthetic video; Vilém Flusser; Wolf Vostell
139–147
Reference
BAKER, Russell. Naked Cellist Shivers Theory of Clothing. Chicago Tribune. May 14, 1967.
FLUSSER, Vilém. Into the Universe of Technical Images [Ins Universum der technischen Bilder (1985)], intro. Mark Poster, trans. Nancy Ann Roth. Minneapolis: Minnesota University Press, 2011.
PAIK, Nam June. Afterlude to the Exposition of Experimental Television. Rpr in Videa 'n' Videology 1959–1973. Syracuse: Everson Museum of Art, 1974.
YOUNGBLOOD, Gene. Expanded Cinema. New York: Dutton, 1970.
