MIDI housle v umění – od hudebního zvuku k multimediálnímu ovladači

Martin Flašar

doi:10.5817/MB2022-2-9

MIDI housle v umění – od hudebního zvuku k multimediálnímu ovladači

Roč.57,č.2(2022)

Martin Flašar

https://doi.org/10.5817/MB2022-2-9

Trvalý odkaz (handle):
http://hdl.handle.net/11222.digilib/digilib.77685

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Abstrakt

The following study critically examines the development of the violin in the 20th and 21st centuries from two perspectives: technological and artistic. It deals with the phenomenon of MIDI violins, which follow the specifics of the traditional chordophone. They represent both an analogue-digital interface and a human-computer interface (HCI). It mentions the limits of this approach and shows selected artistic strategies accompanying the development of MIDI violins since the 1970s.

Klíčová slova:
violin; music history; HCI; MIDI; sonification of gesture; interface; multimedia art; Steina Vasulka; Jon Rose; Laurie Anderson; Jean-Luc Ponty

Stránky:
177–186

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