Vol.48,No.2(2013)

Litoměřice as a music centre of northern Bohemia around 1900 : Czech-German "coexistence and confrontation"

Jitka Bajgarová
https://doi.org/10.5817/MB2013-2-1

Systema in De institutione musica - connection of arithmetic, geometry and music

Martin Celhoffer
https://doi.org/10.5817/MB2013-2-2

Voice and gesture in the operas by Harry Partch and John Zorn

Jozef Cseres
https://doi.org/10.5817/MB2013-2-3

Gabriel von Max cycle Phantasie-Bilder zu Tonstücken

Aleš Filip
https://doi.org/10.5817/MB2013-2-4

Musical activities of the Ukrainians in interwar Brno

Petr Kalina, Zuzana Šalplachtová
https://doi.org/10.5817/MB2013-2-5

What is our ear able to hear?

Jiří Kopecký
https://doi.org/10.5817/MB2013-2-6

The image of the audience of the municipal theatre in Olomouc

Lenka Křupková
https://doi.org/10.5817/MB2013-2-7

Hynek Bím - a collection of sacred songs from Vnorovy

Kateřina Smékalová
https://doi.org/10.5817/MB2013-2-8

Hába microtonal: five notes to Hába's compositional style

Lubomír Spurný
https://doi.org/10.5817/MB2013-2-9

Composer Jan Vičar and analysis of his folklore triptych for mixed choir on Czech, Moravian and Silesian folk poetry Široko daleko [Far and wide]

Karel Steinmetz
https://doi.org/10.5817/MB2013-2-10

To the history of church music in Czech lands during 20th century

Eva Vičarová
https://doi.org/10.5817/MB2013-2-11

Fate [Osud], groundbreaking work in many aspects

Jiří Zahrádka
https://doi.org/10.5817/MB2013-2-12

Bohuslav Martinů's notes on Janáček's introduction to the "Moravian Folksongs Newly Collected" (Národní písně moravské v nově nasbírané)

Vít Zouhar
https://doi.org/10.5817/MB2013-2-13