Vol.53,No.1(2018)

The birth of intermedia in the art of Robert Rauschenberg

Jozef Cseres
https://doi.org/10.5817/MB2018-1-1

Walter Felsenstein's music theatre and his Czech reception

Šárka Havlíčková Kysová, Helena Spurná
https://doi.org/10.5817/MB2018-1-2

Interspace: distance as a composition strategy

Slavomír Hořínka
https://doi.org/10.5817/MB2018-1-3

Religious motifs in Josef Suk's works

Jan Charypar
https://doi.org/10.5817/MB2018-1-4

On monotony of opera playbill and underlying economy

Elena Khokhlova
https://doi.org/10.5817/MB2018-1-5

Oratorios performed at the holy sepulchre in the Bohemian lands and Austria in the 18th century (Part I) : methodological questions on the sepolcro in the period of ca. 1700–1760

Jana Perutková
https://doi.org/10.5817/MB2018-1-6

Henry Lefebvre's rhythmanalysis as a tool for comprehensive listening of the city

Adéla Procházková
https://doi.org/10.5817/MB2018-1-7

To creation of musical regional science as a legitimate partial musical discipline

Karel Steinmetz
https://doi.org/10.5817/MB2018-1-8

Radio interventions of Tetsuo Kogawa : musicality of pirate microtransmission

Jan Sůsa
https://doi.org/10.5817/MB2018-1-9

Searching for ideal price discrimination in the history of opera : lottery as a way to get a consumer surplus

František Svoboda
https://doi.org/10.5817/MB2018-1-10

The repertoire of musical theater in Brno in the second half of the 18th century

Petra Švandová
https://doi.org/10.5817/MB2018-1-11

Janáček's thorny path towards foundation of the Brno conservatoire and its nationalization

Jiří Zahrádka
https://doi.org/10.5817/MB2018-1-12

Recent scholarship and new methods of research concerning monastic performance and theatricality in the Baroque era

Alkuin Volker Schachenmayr
https://doi.org/10.5817/MB2018-1-13