Vol.55,No.1(2020)

Bedřich Antonín Wiedermann : pioneer of the organ as a concert instrument

Jana Michálková Slimáčková
https://doi.org/10.5817/MB2020-1-1

... einem ersamen Rath verehrt : about dedications of musical compostions to Moravian cities ca. 1560–1620

Hana Studeničová
https://doi.org/10.5817/MB2020-1-2

Musical life in urban communities of North-Eastern Slovakia in the period of reformation

Janka Petőczová
https://doi.org/10.5817/MB2020-1-3

Liebhard Egkenfelder and the music manuscripts in Bratislava in the second half of the 15th century

Eva Veselovská
https://doi.org/10.5817/MB2020-1-4

Tracking the disseminated sources for compositional work of music theorist-abbot-composer Johannes Nucius

Magdalena Dostálová
https://doi.org/10.5817/MB2020-1-5

From the more-part choral composition and choral motet to the figured-bass hymn setting : the repertory from the manuscript lutheran Choral Books of 17th century from Upper Hungary

Peter Ruščin
https://doi.org/10.5817/MB2020-1-6

Archetypal symbols in the symphonic poem The Sea by Mikalojus Konstantinas Čiurlionis

Martina Štěpánová, David Kozel
https://doi.org/10.5817/MB2020-1-7

Sequences and objects, a contribution to understanding formal apsects of spectral music

Petr Haas
https://doi.org/10.5817/MB2020-1-8