Vol.56,No.2(2021)

Three traces of Jan Novák in Nová Říše

5–13

Richard Novák, Stanislav Tesař
https://doi.org/10.5817/MB2021-2-1

PDF (Czech)
Against historical amnesia: Czech exile composers Jan Novák and Antonín Tučapský versus official cultural policy

15–21

Martin Flašar, Pavlína Němcová
https://doi.org/10.5817/MB2021-2-2

PDF (Czech)
From variations to polycentrism : some comments on Milan Kundera's and Igor Stravinsky's compositional techniques

23–37

Pavel Sýkora
https://doi.org/10.5817/MB2021-2-3

PDF (Czech)
Janáček's modality from the point of view of Czech and Slovak musicologists

39–47

Karel Steinmetz
https://doi.org/10.5817/MB2021-2-4

PDF (Czech)
Generating genre-specific musical transcriptions of Antonín Dvořák through a variational autoencoder

49–61

Daniel Kvak
https://doi.org/10.5817/MB2021-2-5

PDF (Czech)
Comparison of voice properties of classical and pop female singers

63–101

Marek Frič, Iva Podzimková, Jana Jelínková
https://doi.org/10.5817/MB2021-2-6

PDF (Czech)