Das Pasticcio in den böhmischen Ländern in der ersten Hälfte des 18. Jahrhunderts

Jana Spáčilová

doi:10.5817/TY2019-2-6

Das Pasticcio in den böhmischen Ländern in der ersten Hälfte des 18. Jahrhunderts

Vol.22,No.2(2019)

Jana Spáčilová

https://doi.org/10.5817/TY2019-2-6

Stable URL (handle):
http://hdl.handle.net/11222.digilib/141891

PDF (German)

Abstract

The study deals with the pasticcio, a significant sub-genre of the Italian opera seria in the 18th century. It discusses the structural principles of the baroque opera as prerequisites for the creation of the pasticcio and explains its defining framework. The countries of the Czech Crown with their different institutional conditions (municipal versus private aristocratic theatres) were chosen as an example of the spread of pasticcios at the time. On the basis of the librettos and scores obtained, different forms of pasticcio can be differentiated in the studied area, including extensions to the oratorio and religious theatre.

Keywords:
opera; oratorio; baroque music; pasticcio; aria; Czech lands

Pages:
123–136

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