Vol.51,No.2(2016)

"What an evil has this ideological bias already done!" : the change of Vladimír Helfert's critical attitudes after moving from Prague to Brno

Jindřiška Bártová
https://doi.org/10.5817/MB2016-2-1

Sporckian burlescas in Kuks: Spinckonarto (1727); Asterea, Tamerlan und Bajazet (1730); Romanische Lucretia 1732

Stanislav Bohadlo
https://doi.org/10.5817/MB2016-2-2

Leoš Janáček's interpretation and misinterpretation of Dostoyevsky's The House of the Dead

Danuta Hudecová, Petr Kalina
https://doi.org/10.5817/MB2016-2-3

Philomela Angelica by Daniel Speer – an unknown work of a well-known musician

Jana Kalinayová-Bartová
https://doi.org/10.5817/MB2016-2-4

Performing practice of figural music in the church in Hrabyně on the beginning of the 19th century – Hrabyně's inventories

Helena Kramářová
https://doi.org/10.5817/MB2016-2-5

Vladimír Helfert and his activities at the Masaryk University

Petr Macek
https://doi.org/10.5817/MB2016-2-6

About music inventories: some remarks on the entry "Katalog" (Catalogue) by Jiří Fukač in the Encyclopedia of Czech Musical Culture

Vladimír Maňas
https://doi.org/10.5817/MB2016-2-7

Muzio Clementi's pedagogical works: the Introduction to the Art of Playing on the Pianoforte Op. 42 and the Gradus ad Parnassum Op. 44

Rossella Marisi
https://doi.org/10.5817/MB2016-2-8

"...not to see music of today from narrow perspective of mere today..." : playful article about possible conceptions of periodization of the history of music and Vladimír Helfert's legacy

Viktor Pantůček
https://doi.org/10.5817/MB2016-2-9

Vladimír Helfert, a founder of the Music Archive of the Moravian Museum

Ondřej Pivoda
https://doi.org/10.5817/MB2016-2-10

Vladimír Helfert at the State Institute for Folk Song

Jarmila Procházková
https://doi.org/10.5817/MB2016-2-11

The origins of the opera in Silesia – the current state of sources

Jana Spáčilová
https://doi.org/10.5817/MB2016-2-12

A few comments on the Czech Modern Music of Vladimír Helfert

Lubomír Spurný
https://doi.org/10.5817/MB2016-2-13

XYZ : Vladimír Helfert's participation in Czech anti-Nazi resistance

Simona Šindlářová
https://doi.org/10.5817/MB2016-2-14

Influence and impact of Vladimír Helfert's ideas on the Slovak music

Tatiana Škapcová
https://doi.org/10.5817/MB2016-2-15

Selected circumstances of Helfert's performing and organizational activities

Jan Špaček
https://doi.org/10.5817/MB2016-2-16

Josef Alexander Helfert (1820–1910) : ancestor and model for Vladimir and Jaroslav Helfert

Irena Veselá
https://doi.org/10.5817/MB2016-2-17

Life and work of Vladimír Helfert from my point of view

Jiří Vysloužil
https://doi.org/10.5817/MB2016-2-18

The secret of the Janáček's piano cycle Spring Song : (what was hidden in the composer's correspondence)

Jiří Zahrádka
https://doi.org/10.5817/MB2016-2-19

Transformations and constants of Helfert's writing on Janáček

Miloš Zapletal
https://doi.org/10.5817/MB2016-2-20