Vol.54,No.2(2019)

How desperate he must feel sitting there helplessly : Jews, Gypsies, Czechs... and the Chinese... from Zápisník to Terezín and beyond

Michael Beckerman
https://doi.org/10.5817/MB2019-2-1

Pavel Haas's Oeuvre in Theresienstadt (1941–1944)

Lubomír Spurný
https://doi.org/10.5817/MB2019-2-2

Jazz music during the fascist regime in Slovakia

Yvetta Kajanová
https://doi.org/10.5817/MB2019-2-3

Duchovní hudba a česká hudební kultura v devadesátých letech minulého století

Eva Vičarová, Kateřina Janíčková
https://doi.org/10.5817/MB2019-2-4

On the project of Czech Music Dictionary of Persons and Institutions

Petr Macek
https://doi.org/10.5817/MB2019-2-5

Funding of multimedia education in music branch at primary art schools

Petra Martinková
https://doi.org/10.5817/MB2019-2-6

The inventories of the music collection in Moravian Blížkovice from 18th and 19th century and the comparison with the current state of the preserved sources

Michaela Ratolístková
https://doi.org/10.5817/MB2019-2-7

The history is created by "the little ones" : the life and work of Emanuel Ambros

Milan Balódy
https://doi.org/10.5817/MB2019-2-8

Some aspects of unisono rendering and its metamorphisms in selected opera literature of the second half of the 19th and first half of the 20th century

Karel Dichtl
https://doi.org/10.5817/MB2019-2-9

Czech Heldentenor Joseph Aloys Tichatscheck and his first cooperation with Richard Wagner

Martin Kajzar
https://doi.org/10.5817/MB2019-2-10