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About
About the journal
Editorial board
Distribution
Contact
Current issue
Archive
For authors
Peer review
Publication ethics
 
Vol.57,
No.2
(2022)
Klosterneuburg libretto prints from the 18th century – newly evaluated
5–27
Jana Perutková
https://doi.org/10.5817/MB2022-2-1
PDF (Deutsch)
Hans Bruckmüller: Mahler's contemporary and a personality of German musical life in Moravia
29–51
Ondřej Pivoda
https://doi.org/10.5817/MB2022-2-2
PDF (Čeština)
The Latin Office of the Dead in mediaeval manuscripts from the territory of Slovakia
53–77
Eva Veselovská
https://doi.org/10.5817/MB2022-2-3
PDF
My evenings : memoires of Lyudmila Ivanovna, aunt of Russian music
79–105
Zuzana Dupalová
https://doi.org/10.5817/MB2022-2-4
PDF (Čeština)
Musealization of musical instruments and its theoretical reflections from the 19th century to the present
107–129
Miloš Zapletal
https://doi.org/10.5817/MB2022-2-5
PDF (Čeština)
"A live recitative without words" : symphonic poems by Antonín Dvořák in the reflection of Leoš Janáček
131–143
Veronika Vejvodová, Barbora Števanka Kadlíčková
https://doi.org/10.5817/MB2022-2-6
PDF (Čeština)
Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films
145–161
Ondřej Musil
https://doi.org/10.5817/MB2022-2-7
PDF
Karel Husa and the reception of his work in the Czech lands after 1989
163–175
Eva Vičarová
https://doi.org/10.5817/MB2022-2-8
PDF (Čeština)
MIDI violin in art – from musical sound to multimedia controller
177–186
Martin Flašar
https://doi.org/10.5817/MB2022-2-9
PDF (Čeština)