Vol.58,No.2(2023)

Love and virtue in Cavalli's L'Erismena

Michael Beckerman
https://doi.org/10.5817/MB2023-2-1

Graduale Novum : restored mass repertoire of Gregorian chant and its use in contemporary liturgy

Janka Bednáriková
https://doi.org/10.5817/MB2023-2-2

The Union of Czechoslovak Composers and its influence on popular music of the 1960s and the career of composer Bohuslav Ondráček

Jan Blüml
https://doi.org/10.5817/MB2023-2-3

Sources for research on the Union of Czechoslovak Composers

Pavel Cígler
https://doi.org/10.5817/MB2023-2-4

Between heaven and hell : cardinal virtues and deadly sins in 18th century Viennese oratorio texts

Elisabeth Theresia Hilscher
https://doi.org/10.5817/MB2023-2-5

Psalm compositions by Pavel Haas

Ondřej Pivoda
https://doi.org/10.5817/MB2023-2-6

From Moravská Třebová to Klosterneuburg: to the fate of one part book

Hana Studeničová
https://doi.org/10.5817/MB2023-2-7

When the music changes, so does the dance : do we still need copyright collectives?

František Svoboda
https://doi.org/10.5817/MB2023-2-8

The development of counterpoint in the post-contrapuntal epoch : the contribution to polyphonic depiction of the world in Milan Kundera's novels

Pavel Sýkora
https://doi.org/10.5817/MB2023-2-9

Romani music in Czech film after 1989, specifically between 1993 and 2017

Veronika Ševčíková
https://doi.org/10.5817/MB2023-2-10

The oldest scores of sacred music in the collection of Carl Winiker's Musikalien-Leih-Anstalt in Brno

Vlastimil Tichý
https://doi.org/10.5817/MB2023-2-11

Art music and war : Ukrainian case 2022

Iryna Tukova
https://doi.org/10.5817/MB2023-2-12

"Die rechte Liebe grünet auf Beständigkeit", or "Gelosia, filia è d'amor"? : love and virtue in two wedding operas from the milieu of the mid-18th century Schwarzenberg court

Martin Voříšek
https://doi.org/10.5817/MB2023-2-13