Vol.49,No.1(2014)

Piety and music

Jiří Sehnal
https://doi.org/10.5817/MB2014-1-1

Frömmigkeit – Pietas

Theophil Antonicek
https://doi.org/10.5817/MB2014-1-2

Spirituality, poetry and composition : the varying levels in the evolution of Italian oratorio

Johann Herczog
https://doi.org/10.5817/MB2014-1-3

Viennese performances of oratorios from the northern regions of Italy between 1665-1705 : the cultivatin of the oratorio in the Habsburg court under Elenonora II and Leopold I

Marko Deisinger
https://doi.org/10.5817/MB2014-1-4

The Sepolcri of Marc'Antonio Ziani

Johannes Prominczel
https://doi.org/10.5817/MB2014-1-5

Arcangelo Spagna's "perfetto melodramma spirituale" as seen on the example of two versions of his oratorio based on the Book of Judith

Anna Ryszka-Komarnicka
https://doi.org/10.5817/MB2014-1-6

"Per l'allusione alle correnti cose d'Italia" : Antonio Caldaras's Roman Christmas cantatas for the Pope and the prince

Andrea Zedler, Magdalena Boschung
https://doi.org/10.5817/MB2014-1-7

With a slight echo : on the reception history of Johann Joseph Fux's oratiorios

Thomas Hochradner
https://doi.org/10.5817/MB2014-1-8

Unknown oratorios by Naples composers in Brno before 1740

Jana Spáčilová
https://doi.org/10.5817/MB2014-1-9

The oratorios performed by Questenberg's musicians in Moravia in the first half of the 18th century

Jana Perutková
https://doi.org/10.5817/MB2014-1-10

Three points of a triangle : Italian, Latin and German oratorios and sepolcros in the early 18th century Central Europe

Michaela Freemanová
https://doi.org/10.5817/MB2014-1-11

Music in St. Nicholas church in the Lesser Town of Prague during the first half of the 18th century

Václav Kapsa
https://doi.org/10.5817/MB2014-1-12

Famous oratorios produced by the Tonkünstler-Societät in Vienna - counterpoint of following the tradition of oratorios at the Baroque Hapsburg court

Elisabeth Fritz-Hilscher
https://doi.org/10.5817/MB2014-1-13

From Court Chapel to public concert: Hasse's oratorios from Dresden to Vienna

Raffaele Mellace
https://doi.org/10.5817/MB2014-1-14

Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice

Maciej Jochymczyk
https://doi.org/10.5817/MB2014-1-15

Between liturgy and theatre : the Jesuit Lenten meditations from the Baroque Silesia

Tomasz Jeż
https://doi.org/10.5817/MB2014-1-16

School dramas and oratorios by the Pressburg Jesuits in 18th century

Ladislav Kačic
https://doi.org/10.5817/MB2014-1-17