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About
About the journal
Editorial board
Distribution
Contact
Current issue
Archive
For authors
Peer review
Publication ethics
 
Vol.50,
No.1
(2015)
Contribution to history of Brno musicology
3–8
Jiří Vysloužil
https://doi.org/10.5817/MB2015-1-1
PDF (Czech)
Musicology in Brno after 1989
9–15
Petr Macek
https://doi.org/10.5817/MB2015-1-2
PDF (Czech)
"Che farò senza Euridice": histories and stories of the famous aria by Chr. W. Gluck
17–29
Hermann Jung
https://doi.org/10.5817/MB2015-1-3
PDF (German)
Hába's social engagement : contribution to the composer's participation in organization of the Prague ISCM festival (1935)
31–43
Vlasta Reittererová
https://doi.org/10.5817/MB2015-1-4
PDF (Czech)
Rudolf Pečman's Czech beethoveniana
45–56
Pavel Sýkora
https://doi.org/10.5817/MB2015-1-5
PDF (Czech)
Musicological collective has already achieved pretty good results : non-university musicology in the first half of 1950s in Brno
57–71
Viktor Pantůček
https://doi.org/10.5817/MB2015-1-6
PDF (Czech)
The myth of "Czech musical emigration" viewed through the Dlabacz's dictionnary
73–85
Jana Franková
https://doi.org/10.5817/MB2015-1-7
PDF (Czech)
Vladimír Helfert's monographs about musical culture in Jaroměřice nad Rokytnou as a model for research of operas from the first half of 18th century
87–100
Petr Slouka
https://doi.org/10.5817/MB2015-1-8
PDF (Czech)
Influence of Helferts' pupils on postwar Ostrava musicology
101–109
Karel Steinmetz
https://doi.org/10.5817/MB2015-1-9
PDF (Czech)
To the František Waic – an Olomouc collaborator of Vladimír Helfert
111–122
Eva Vičarová
https://doi.org/10.5817/MB2015-1-10
PDF (Czech)
In the track of Robert Smetana or The third school of Czech musicology
123–140
Jan Vičar
https://doi.org/10.5817/MB2015-1-11
PDF (Czech)
Robert Smetana and Bedřich Václavek and their cooperation in the context of the time and place : the excerpts of one life charter
141–152
Pavlína Kráčmarová
https://doi.org/10.5817/MB2015-1-12
PDF (Czech)
The debt of Czech musicology to Smetana : non-musical manuscripts as a focus of interest of Smetana research
153–164
Olga Mojžíšová
https://doi.org/10.5817/MB2015-1-13
PDF (Czech)
Zdeněk Nejedlý and Vítězslav Novák : a relationship between the critic and the composer
165–176
Ondřej Pivoda
https://doi.org/10.5817/MB2015-1-14
PDF (Czech)
Otakar Šourek – undervalued figure of Czech musical life
177–194
Kateřina Nová
https://doi.org/10.5817/MB2015-1-15
PDF (Czech)
Rediscovery of one of the oldest harmony textbooks in Czech language
195–203
Viktor Hruška
https://doi.org/10.5817/MB2015-1-16
PDF (Czech)
The interpersonal hypothesis of music and a deep hermeneutic search for meaning in a work of art
205–212
David Kozel
https://doi.org/10.5817/MB2015-1-17
PDF (Czech)
Algorithmic composition, computer-aided composition and postmodern pluralism
213–223
Petr Haas
https://doi.org/10.5817/MB2015-1-18
PDF (Czech)