Vol.57,No.1(2022)

Miloš Štědroň: My Janáček : on the eightieth birthday of the musicologist and composer

Karel Steinmetz
https://doi.org/10.5817/MB2022-1-1

System of temperament of keyboard instruments in Mannheim according to Franz Xaver Richter (1767) on the basis of last manual by Andreas Werckmeister (cca 1700)

Marek Čermák
https://doi.org/10.5817/MB2022-1-2

Early Czech music theory : characterization, personalities and trends

Viktor Hruška
https://doi.org/10.5817/MB2022-1-3

Migration of Central European musicians exemplified by John Dopyera, Diana Krall, Andreas Varady, and Celeste Buckingham

Yvetta Kajanová
https://doi.org/10.5817/MB2022-1-4

The AMC Trio jazz combo and their inspirations drawn from Slovak folk music

Peter Dobšinský
https://doi.org/10.5817/MB2022-1-5

The adaptation of the Libussa legend in Italian Baroque opera

Jana Spáčilová
https://doi.org/10.5817/MB2022-1-6

Employability in the field of classical music : Does education in the Czech Republic correspond to the job market?

Lenka Dohnalová, Lucie Pešl Šilerová, Ingeborg Radok Žádná
https://doi.org/10.5817/MB2022-1-7

Beginnings of the Jednota umělců hudebních ku podpoře vdov a sirotků in the context of Viennese Tonkünstler-Sozietät

Magdalena Šmídová Turchichová
https://doi.org/10.5817/MB2022-1-8

The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries

Lukáš Pavlica
https://doi.org/10.5817/MB2022-1-9

Le cinque piaghe di Christo von Nicolò Minato und Antonio Draghi (1677) und die Verehrung der fünf Wunden Christi durch den Sternkreuzorden

Matthias Johannes Pernerstorfer
https://doi.org/10.5817/MB2022-1-10