Abstract
Keywords:
performance; guardians; Vratislav Effenberger; theory of the avant-garde; modernism; Ukraine; mystetstvoznavstvo; art history and theory; Hryhorii Pavlutskyi; folk art; Ruthenia
The common thread tying together the articles in this issue of the journal is the question of narrative and interpretation. Each of them deals with a different topic, from folk art to performance art in the 1970s, but they all deal with questions about the kinds of narratives and interpretations that have been deployed by art historians in relation to their respective topics.
performance; guardians; Vratislav Effenberger; theory of the avant-garde; modernism; Ukraine; mystetstvoznavstvo; art history and theory; Hryhorii Pavlutskyi; folk art; Ruthenia

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