Performance in den byzantinischen Romanen des 12. Jahrhunderts und das Theatron
Roč.21,č.1(2016)
performance; theatron; Byzantine novels; Nicetas Eugenianos; Drosilla and Charicles
21–30
Agapitos, P. A. (1991). Narrative Structure in the Byzantine Vernacular Romances. A Textual and Literary Study of Kallimachos, Belthandros and Libistros. München: Institut für Byzantinistik und Neugriechische Philologie der Universität.
Agapitos, P. A. (2006). Writing, Reading and Reciting (in) Byzantine Erotic Fiction. In B. Mondrain (Ed.), Lire et écrire à Byzance (pp. 125–176). Paris: Presses Universitaires de France.
Agapitos, P. A., & Reinsch, D. R. (Eds.). (2000). Der Roman im Byzanz der Komnenenzeit. Referate des Internationalen Symposiums an der Freien Universität Berlin, 3. bis 6. April 1998 (Meletemata, 8). Frankfurt am Main: Beerenverlag.
Beaton, R. (1996). The Medieval Greek Romance (2nd edition). London: Routledge.
Burton, J. B. (2012). From Theocritean to Longan Bucolic: Eugenianus' Drosilla and Charicles. Greek, Roman, and Byzantine Studies, 52, 684–713.
Conca, F. (Ed.). (1990). Nicetas Eugenianus. De Drosilla et Chariklis amoribus (London Studies in Classical Philology, 24). Amsterdam: J. C. Gieben.
Delbó, K. L. (2015). Hagyomány és újítás a bizánci regényekben: az öreg nő alakja [Tradition und Erneuerung im byzantinischen Roman: die Gestalt der alten Frau]. Antik Tanulmányok, 59, 245–253. | DOI 10.1556/092.2015.59.2.7
Harder, R. E. (2003). Der byzantinische Roman des 12. Jahrhunderts als Spiegel des zeitgenössischen Literaturbetriebs. In S. Panayotakis, M. Zimmerman, & W. Keulen (Eds.), The Ancient Novel and Beyond (Mnemosyne Supplementa, 241, pp. 357–369). Leiden – Boston: Brill. | DOI 10.1163/9789047402114_025
Hunger, H. (1978). Die hochsprachliche profane Literatur der Byzantiner (Vol. II). München: C. H. Beck.
Hunger, H. (1980). Antiker und byzantinischer Roman (Sitzungsberichte der Heidelberger Akademie der Wissenschaften, Phil.-hist. Kl., Jahrgang 1980, Abhandlung 3). Heidelberg: Carl Winter.
Jeffreys, E. (2014). Four Byzantine Novels (Translated Texts for Byzantinists, Vol. 1; 2nd edition). Liverpool: Liverpool University Press.
Kazhdan, A. P., & Epstein, A. W. (1985). Change in Byzantine Culture in the Eleventh and Twelfth Centuries (Transformation of the Classical Heritage, 7). Berkeley – Los Angeles – London: University of California Press.
MacAlister, S. (1996). Dreams and Suicides. The Greek Novel from Antiquity to the Byzantine Empire. London: Routledge.
Magdalino, P. (1993). The Empire of Manuel I Komnenos, 1143–1180. Cambridge – New York: Cambridge University Press.
Marciniak, P. (2007). Byzantine Theatron – A Place of Performance? In M. Grünbart (Ed.), Theatron: Rhetorische Kultur in Spätantike und Mittelalter / Rhetorical Culture in Late Antiquity and the Middle Ages (pp. 277–286). Berlin – New York: de Gruyter.
Mullett, M. (1984). Aristocracy and Patronage in the Literary Circles of Comnenian Constantinople. In M. Angold (Ed.), The Byzantine Aristocracy: IX to XIII Centuries (BAR International Series, 22, pp. 173–201), Oxford: British Archaeological Reports.
Nilsson, I. (2001). Erotic Pathos, Rhetorical Pleasure. Narrative Technique and Mimesis in Eumathios Makrembolites' Hysmine & Hysminias (Acta Universitatis Upsaliensis. Studia Byzantina Upsaliensia, 7). Uppsala: Uppsala University Library.
Nilsson, I. (2014). Raconter Byzance. La littérature au XIIe siècle (Seminaries Byzantins Series, 3). Paris: Les Belles Lettres.
Roilos, P. (2005). Amphoteroglossia. A Poetics of the Twelfth-Century Medieval Greek Novel (Hellenic Studies, 10). Washington: Center for Hellenic Studies, Trustees for Harvard University.
Roilos, P. (2012). Oral Literature, Ritual, and the Dialectics of Performance. In K. Reichl (Ed.), Medieval Oral Literature (pp. 225–249). Berlin – Boston: de Gruyter.
Vitz, B. E. (1999). Orality and Performance in Early French Romance. Cambridge: D. S. Brewer.
Vitz, B. E. (2007). Variegated Performance of Aucassin et Nicolette. In E. Doss-Quinby, R. L. Krueger, & E. J. Burns (Eds.), Cultural Performances in Medieval France. Essays in Honor of Nancy Freeman Regalado (pp. 235–245). Cambridge: D. S. Brewer.