Vol.49,No.2(2014)

The Passion Christi as musical meditation : text, visual form and symbolism at Dieterich Buxtehude, Heinrich Ignaz Franz Biber and Heinrich Schütz

Hermann Jung
https://doi.org/10.5817/MB2014-2-1

German composer, conductor and music teacher Anton Aich in Ostrava (1913–1945)

Karel Steinmetz
https://doi.org/10.5817/MB2014-2-2

Notes on the investigation of sheet music exchange between Count Questenberg and his aristocratic friends

Jana Perutková
https://doi.org/10.5817/MB2014-2-3

Czech Music Semiology

Lubomír Spurný
https://doi.org/10.5817/MB2014-2-4

Places of music events at Klattau seminarians in the 18th century – contribution to a space aspects of music interpretation at the Jesuits

Vít Aschenbrenner
https://doi.org/10.5817/MB2014-2-5

Blending the secular and sacred: instrumental textures in seventeenth-century worship

Kimberly Beck
https://doi.org/10.5817/MB2014-2-6

Thomas Weelkes' madrigal As Vesta was from Lathmos hill descending

Martin Celhoffer, Zuzana Derflerová Brázdová
https://doi.org/10.5817/MB2014-2-7

Contrafacta in Bohemian church music of the 18th century

Milada Jonášová
https://doi.org/10.5817/MB2014-2-8

About methodological problems of musical narrativity

David Kozel
https://doi.org/10.5817/MB2014-2-9

From dramma per musica to church music practice – sacred Latin contrafacta of Italian opera arias in Moravian monasteries and churches

Undine Wagner
https://doi.org/10.5817/MB2014-2-10

The practice of music in Rajhrad monastery in the first half of the 18th century

Pavel Žůrek
https://doi.org/10.5817/MB2014-2-11

Is the Holy Sepulchre necessary for the performance of oratorio on Good Friday? : several comments on performance of Good Friday oratorios in the Czech region

Robert Hugo
https://doi.org/10.5817/MB2014-2-12