Vol.52,No.2(2017)

Jiří Fukač and his contribution to Helfert's concept of the intellectualization of music education

Stanislav Tesař
https://doi.org/10.5817/MB2017-2-1

Attempt over Fukač

Miloš Štědroň
https://doi.org/10.5817/MB2017-2-2

Diachronic synchronous continuum-discontinuum as Jiří Fukač's starting point, method and the goal of music historiography or the definition is never final

Stanislav Bohadlo
https://doi.org/10.5817/MB2017-2-3

Jiří Fukač's ancient music research as an inspiration for today

Jana Perutková
https://doi.org/10.5817/MB2017-2-4

Music lexicographer Jiří Fukač and the Brno School of Music Lexicography

Petr Macek
https://doi.org/10.5817/MB2017-2-5

... one who is sure of his cultural identity can play with the rules of cultural games... : metainspirations by Jiří Fukač

Viktor Pantůček
https://doi.org/10.5817/MB2017-2-6

International Musicological Colloquium Brno in years 1966–1976

Sofija Čolović
https://doi.org/10.5817/MB2017-2-7

August Wilhelm Ambros and Eduard Hanslick in Vienna: the final chapter of a music-aesthetic controversy

Markéta Štědroňská
https://doi.org/10.5817/MB2017-2-8

The possibilities of transcribing orchestral works subject to essentiality of their original orchestration

Rytis Urniežius
https://doi.org/10.5817/MB2017-2-9

Compositional technique and phenomenological categories of perception in the Passacaglia of Shostakovich's Symphony No. 8

Iyad Abdelhafeez Mohammad
https://doi.org/10.5817/MB2017-2-10

Music and performance : towards the issue of the music performance analysis

Lubomír Spurný, Petr Fančal
https://doi.org/10.5817/MB2017-2-11

The language of the assistant and the language of the creator : selected aspects of computer assisted composition

Petr Haas
https://doi.org/10.5817/MB2017-2-12

The horn of brass instruments from the organological point of view based on music acoustic

Viktor Hruška
https://doi.org/10.5817/MB2017-2-13

Repetition as a principle of mythological thinking and music of the twentieth century

David Kozel
https://doi.org/10.5817/MB2017-2-14

Janáček' secret expression of political defiance : genesis and reception of the "Slavonic rhapsody" Taras Bulba

Jiří Zahrádka
https://doi.org/10.5817/MB2017-2-15

Several remarks on the modeling of apotheotic final structures in the first symphony of G. Mahler and J. Sibelius

Karel Dichtl
https://doi.org/10.5817/MB2017-2-16

Repertoire of early music in Prague concert life of the second half of the nineteenth century : selected concert productions and their reflections in period press

Magdalena Šmídová Turchichová
https://doi.org/10.5817/MB2017-2-17

Antonio Bioni and his compositions preserved in Kroměříž archive

Zuzana Černá
https://doi.org/10.5817/MB2017-2-18

Johann Heinrich Schmelzer's serenata for the celebrations of Maria Antonia Habsburg's birthday

Petr Slouka
https://doi.org/10.5817/MB2017-2-19

Preserved musical instruments from the Church of the Assumption of Our Lady in Kvasice in museum collections in Vienna and Brno

Miroslav Lukeš
https://doi.org/10.5817/MB2017-2-20