Jeden model a různé zájmy : konvergence a divergence intermediálních studií

Roč.20,č.1(2017)

Alice Jedličková

https://doi.org/10.5817/BL2017-1-5

Trvalý odkaz (handle):
http://hdl.handle.net/11222.digilib/137348

PDF
Abstrakt
The essay provides a thorough analysis of the method and possible impact of the recent monograph Media transformation (2014) by Lars Elleström, a major representative of intermedia studies. The aim of the analysis is to evaluate possible consequences of Elleström's model of media transformation – regarded as a methodological basis of intermedia approach – for the study of wide range of cultural phenomena (as suggested by the author himself), at the same time taking into consideration his concept of media modalities used as a set of tools to be employed in individual intermedia problems inquiries. The idea of a methodological basis capable of unifying research in new media, adaptation studies, and literature–oriented intermediality appears rather utopian, since it may hardly overcome the differences and interests of individual disciplines. Yet the ongoing reflection of notions and categories in the field of intermediality (employed both in scholarly analyses and intermediality classes at the Masaryk University) provides a number of incentives for further research.

Klíčová slova:
intermedialita; transmediace; reprezentace média

Stránky:
98–125
Reference

ABBOTT, Horace Porter, 2002. The Cambridge Introduction to Narrative (Cambridge: Cambridge University Press)

BARBETTI, Claire, 2011. Ekphrastic Medieval Visions. A New Discussion in Interarts Theory (Basingstoke and New York: Palgrave Macmillan)

BOLTER, Jay David – GRUSIN, Richard, 1999. Remediation. Understanding New Media (Cambridge MA and London: MIT Press)

CLÜVER, Claus, 1989. " On Intersemiotic Transposition", Poetics Today 10, s. 55–90 | DOI 10.2307/1772555

ELLESTRÖM, Lars, 2010. " The Modalities of Media: A Model for Understanding Intermedial Relations", in Lars Elleström (ed.): Media Borders, Multimodality and Intermediality (Basingstoke and New York: Palgrave Macmillan), s. 11–48

ELLESTRÖM, Lars, 2014. Media Transformation. The Transfer of Media Characteristics Among Media (Basingstoke and New York: Palgrave Macmillan)

FEDROVÁ, Stanislava – JEDLIČKOVÁ, Alice, 2008. " Ekfráze: deskripce vs. narativ", in Alice Jedličková – Ondřej Sládek (eds.): Vyprávění v kontextu (Praha: Ústav pro českou literaturu AV ČR), s. 119–139

FEDROVÁ, Stanislava – JEDLIČKOVÁ, Alice, 2011. " Konec literárního špenátu aneb Popis v intermediální perspektivě", Česká literatura 59, č. 1, s. 26–58

FEDROVÁ, Stanislava – JEDLIČKOVÁ, Alice, 2016. " Kontexty: rétorika a teorie ekfráze", in Stanislava Fedrová – Alice Jedličková: Viditelné popisy. Vizualita, sugestivita a intermedialita literární deskripce (Praha: Akropolis), s. 169–182

FEDROVÁ, Stanislava – JEDLIČKOVÁ, Alice, 2016a. " Kontexty: intermediální poetika", in Stanislava Fedrová – Alice Jedličková: Viditelné popisy. Vizualita, sugestivita a intermedialita literární deskripce (Praha: Akropolis), s. 184–221.

LUND, Hans – LAGERROTH, Ulla-Britta – HEDLING, Erik, 1997. Interart Poetics. Essays on the Interrelations of the Arts and Media (Amsterdam – Atlanta: Rodopi)

HUTCHEON, Linda, 2006. A Theory of Adaptation (New York: Routledge)

JEDLIČKOVÁ Alice, 2011. " Tanec intermediality", Česká literatura 59, č. 5, s. 737–742

JEDLIČKOVÁ Alice, 2011a. " Intermediální poetika příběhu", in Stanislava Fedrová – Alice Jedličková (eds.): Intermediální poetika příběhu (Praha: Ústav pro českou literaturu AV ČR – Akropolis), s. 5–25

JENKINS, Henry, 2006. Convergence Culture. Where Old and New Media Collide (New York: New York University Press)

McFARLANE, Brian, 1996. Novel to Film. An Introduction to the Theory of Adaptation (Oxford: Clarendon Presss)

RAJEWSKY, Irina O., 2002. Intermedialität (Tübingen – Basel: Francke)

RIPPL, Gabriele (ed.), 2015. Handbook of Intermediality. Literature – Image – Sound – Music (Berlin – Boston, Mass.: de Gruyter)

SZYMBORSKA, Wisława, 2009. Okamžik. Dvojtečka. Tady. Přel. Vlasta Dvořáčková (Příbram: Pistorius & Olšanská)

The Sonnet Project NYC, http://sonnetprojectnyc.com/, přístup 20. 8. 2017

WOLF, Werner, 1999. The Musicalization of Fiction. A Study in the Theory and History of Intermediality (Amsterdam and Atlanta, GA: Rodopi)

WOLF, Werner, 2002a. " Intermediality Revisited: Reflections on Word and Music Relations in the Context of a General Typology of Intermediality", in S. M. Lodato – S. Aspden – W. Bernhart (eds.): Essays in Honor of Steven Paul Scher and on Cultural Identity and the Musical Stage (Amsterdam and New York: Rodopi), s. 13–34

WOLF, Werner, 2011. [2002] " Intermedialita: široké pole výzkumu a výzva literární vědě", Česká literatura 59, č. 1, s. 62–85

WOLF, Werner, 2013. [2007] Popis jako transmediální modus reprezentace. Přel. Olga Richterová, ed. Alice Jedličková (Praha: Ústav pro českou literaturu AV ČR)

YACOBI, Tamar, 1995. " Pictorial Models and Narrative Ekphrasis", Poetics Today 16: 4, s. 599–649 | DOI 10.2307/1773367

Metriky

14

Views

0

PDF views

PDF