Alegorie a odkazy k apoštolu Petrovi v Shakespearově Romeovi a Julii

Roč.21,č.1(2018)

Petr Osolsobě

https://doi.org/10.5817/BL2018-1-5

Trvalý odkaz (handle):
http://hdl.handle.net/11222.digilib/138268

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Abstrakt
The recusant culture in the time of the queen Elizabeth (1558–1603) developed a lot of rhetorical devices, figures, tropes and allegories to convey hidden religious and political meanings. Apostle Peter, whose authority had been lessened by reformers, epitomized the institution of papacy and the Roman Church for the Catholics as is clearly understandable from the poem Saint Peter's Complaint by Robert Southwell or from the motet Tu es Petrus by William Byrd. In The Tragedy of Romeo and Juliet Shakespeare creatively adapted motifs taken from his sources (Brooke, Painter) but added to them a remarkable number of allusions, canonical terms, and references to St. Peter the apostle, to the Ecclesia Romana and to Rome as well as to the liturgy of Maundy Thursday and Good Friday, thereby underlining a sacrificial value of Juliet's suffering in figura Christi for the sanctity of her marriage. This article supports the thesis that Shakespeare made use of the Bible and scholastic philosophy for his dramatic purpose, and deliberately imbued the secular subject-matter with a religious vocabulary and imagery.

Klíčová slova:
Shakespeare; náboženství; Romeo a Julie; drama; alegorie; bible; literární historie; dějiny anglické literatury

Stránky:
31–46
Reference

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PAINTER, William. 1890. The Palace of Pleasure, Jacobs, Jos. ed., vol. 3 (London: Ballantyne Press), URL: http://www.gutenberg.org/files/20241/20241-h/20241-h.htm.

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