Function of storytelling acts in Virginia Woolf's The Waves

Vol.51,No.2(2025)

Abstract
This paper explores the politics of storytelling in Virginia Woolf's The Waves to show how stories and acts of storytelling push back against the characters' absurd and receding sense of annihilation. Storytelling in The Waves is presented as a unifying narrative element as well as a meaning-giving tool. Despite their vanishing sense of identity and disintegrating relationships, the six narrator-characters in The Waves desire to maintain their connection to their environment through the narrativization act of their experiences. Storytelling, in particular, helps Bernard to battle the annihilating force of death. His acts of storytelling not only foster a sense of connection among individuals and with their environment but also safeguard the preservation of their identities. By narrating everyday moments early on and recalling memories later, Bernard attempts to impose a cohesive structure on his identity, despite its inherent fragmentation and instability.

Keywords:
storytelling; modernism; identity; language; Bernard; The Waves; Virginia Woolf

Pages:
171–184
References

Apter, Terence Everitt (1979) Virginia Woolf: A study of her novels. London: Macmillan.

Bell, Clive (1995) A genius who worked magic. In: Stape, John Henry (ed.) Virginia Woolf: Interviews and recollections. London: Palgrave Macmillan, 93–112. | DOI 10.1007/978-1-349-23807-1_25

Blair, Lucia Nell (2017) Virginia Woolf and the Power of Story: A literary Darwinist Reading of Six Novels. North Carolina: McFarland & Company, Inc.

Dalgarno, Emily (2012) Virginia Woolf and the migrations of language. Cambridge: Cam-bridge University Press.

Dick, Susan (1983) I Remembered, I Forgotten: Bernard's Final Soliloquy in "The Waves". Modern Language Studies 13(3), 38–52. Accessed on 21 November 2024. https://www.jstor.org/stable/3194178. | DOI 10.2307/3194178

Gabler, Hans Walter (2018) Text Genetics in Literary Modernism and Other Essays. Cambridge: Open Book Publishers. Accessed on 08 September 2024. https://doi.org/10.11647/OBP.0120.

Garrity, Jane (2016) Global objects in The Waves. In: Berman, Jessica (ed.) A Companion to Virginia Woolf. Chichester: Wiley Blackwell, 121–136. | DOI 10.1002/9781118457917.ch9

Hacht, Anne Marie and Dwayne D. Hayes (eds.) (2009) Virginia Woolf. In: Gale Contextual Encyclopedia of World Literature, vol. 4: S-Z. Detroit: Gale Cengage Learning, 1701–1705.

Herman, David (2009) Basic elements of narrative. Chichester: Wiley-Blackwell.

Lee, Harper (1997) Virginia Woolf. London: Vintage. EPUB.

McNichol, Stella (1992) Introduction. In: McNichol, Stella (ed.) The Collected Bovels of Virginia Woolf: Mrs. Dalloway, To the Light House, The Waves. London: Macmillan, 1–32.

Morris, Pam (2017) Jane Austen, Virginia Woolf and Worldly Realism. Edinburgh: Edinburg University Press.

Nadel, Ira (2016) Virginia Woolf. London: Reaktion Books Ltd.

Özüm, Aytül (2003) Problematised self in Virginia Woolf's The Waves: A structuralist per-spective. Hacettepe University Journal of Faculty of Letters 20(2), 141–155. Accessed on 16 May 2024. https://dergipark.org.tr/en/download/article-file/610511.

Ryan, Derek (2015) Posthumanist interludes: Ecology and ethology in The Waves. In: Lowe, Gill, Dubino, Jeanne, Simpson, Kathryn and Neverow, Vara (eds.) Virginia Woolf: Twenty-first-century Approaches. Edinburgh: Edinburgh University Press, 148–168. | DOI 10.1515/9780748693948-012

Southgate, Beverley C. (2014) History Meets Fiction. Abingdon: Routledge.

Warner, Eric (1987) Virginia Woolf: The Waves. Cambridge: Cambridge University Press.

Woolf, Virginia (1931/1990) The Waves. London: The Hogarth Press.

Woolf, Virginia (1924/1966) Virginia Woolf: Collected Essays (vol. 2). London: The Hogarth Press.

Metrics

0

Crossref logo

0


0

Views

0

PDF views