Performar el archivo

Rocío Zamora Sauma

doi:10.5817/ERB2019-1-3

Performing the archive

Vol.40,No.1(2019)

Rocío Zamora Sauma

https://doi.org/10.5817/ERB2019-1-3

Stable URL (handle):
http://hdl.handle.net/11222.digilib/141481

PDF (Spanish)

Abstract

Departing from Coco Fusco's performance entitled "Words May Not Be Found" (Berlin, 2017), as well as taking into consideration Krauss's concept of expanded field and Rebbeca Schneider's critique of the notion of immediacy of performance, this text discusses "the documentation" of performance through video. This is approached as the medium that expands the field of performance into the future and into an "alive" dimension of the archive through theater and video.

Keywords:
performance; archive; genocide; audience

Pages:
41–50

References

Assmann, J. (2008). Communicative and Cultural Memory. In A. E. Erli & A. Nünning (Eds.), Cultural Memory Studies. An International and Interdisciplinary Handbook (pp. 109–118). Berlin, New York: Walter de Gruyter.

Auslander, P. (1999). Liveness: Performance in a Mediatized Culture. London and New York: Routledge.

Caruth, C. (2016). Unclaimed Experience: Trauma, Narrative and History. Baltimore: Johns Hopkins University Press.

Derrida, J. (2005). Poétique et politique du témoignage. Paris: L'Herne.

Didi-Huberman, G. (2000). Devant le temps. Histoire de l'art et anachronisme des images. Paris: Les Éditions de Minuit.

Farge, A. (1989). Le goût de l'archive. Paris: Éditions du Seuil.

Feierstein, D. (2012). Memorias y representaciones. Sobre la elaboración del genocidio. Buenos Aires: FCE.

Fusco, C. (1988). The Other History of Intercultural Performance. TDR, 38 (1), 143–167. | DOI 10.2307/1146361

Groys, B. (1992). Du nouveau. Essai d'économie culturelle. Nîmes: Éditions Jacqueline Chambon.

Halbwachs, M. (1997). La mémoire collective. Paris: Albin Michel.

Hirsch, M. (2008). The Generation of Postmemory. Poetics Today, 29 (1), 103–128. https://doi.org/10.1215/03335372–2007–019 | DOI 10.1215/03335372-2007-019

Krauss, R. (1979). Sculpture in the Expanded Field. Spring, 8, 30–44.

Museum, D. H. (2016). German Colonialism. Fragments Past and Present. Berlin: Deutsches Historisches Museum.

Phelan, P. (1996). The ontology of performance: representation without reproduction. In Unmarked. The politics of performance (pp. 146–166). New York – London: Routledge.

Rancière, J. (2011). El destino de las imágenes. Buenos Aires: Prometeo Libros.

Ricœur, P. (2004). La memoria, la historia, el olvido. Buenos Aires: FCE.

Schneider, R. (2011). Performing Remains. Art and war in times of theatrical reenactment. London, NY: Routledge.

Silvester, J.; & Gewald, J.-B. (Eds.). (2003). Words Cannot Be Found. German Colonial Rule in Namibia. An Annotated Reprint of the 1918 Blue Book. Leiden, Boston: Brill.

Taylor, D. (2003). The archieve and the repertoire (3a ed.). North Carolina: Duke University Press.

Taylor, D. (2009). Performance e historia. Apuntes, 131, 105–123.

Metrics