Paralessi orizzontale e verticale come strumento metalettico di attivazione del legame fantastico : tipologie e studio di casi in racconti di Michele Mari
Roč.44,č.2(2023)
cognitive narratology; paralepsis; metalepsis; Michele Mari; apperception theory; fantastic
267–287
Alexander, M.; & Emmott, C. (2014). Schemata. In P. Hühn et al. (Eds.), The living handbook of narratology. Hamburg: Hamburg University. http://www.lhn.uni-hamburg.de/article/schemata
Carnevale, D. (2019). La 'parola fantastica': Logopoiesi, retoriche dell'indicibile e mostri verbali. In B. Aldinucci et al. (Eds.), Parola. una nozione unica per una ricerca multidisciplinare (pp. 65–73). Siena: Università per Stranieri di Siena.
Cohn, D. (2012). Metalepsis and Mise en Abyme. Narrative, 20, 1, 105–14. https://doi.org/10.1353/nar.2012.0003
Fludernik, M. (2003). Scene Shift, Metalepsis, and the Metaleptic Mode. Style, 37, 4, 382–400.
Fludernik, M. (2005). Histories of Narrative Theory (II): From Structuralism to the Present. In J. Phelan, P. J. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 36–59). Malden: Blackwell. https://doi.org/10.1002/9780470996935.ch3
Fludernik, M. (2009). An Introduction to Narratology. London: Routledge. https://doi.org/10.4324/9780203882887
Genette, G. (1972). Figure III. Paris: Éditions du Seuil.
Gil Guerrero, H. (2006). Lo fantástico como transgresión. postulación fantástica en los relatos borgianos. In N. Grabe et al. (Eds.), La narración paradójica. normas narrativas y el principio de la transgresión (pp. 183–92). Madrid: Vervuert Verlag. https://doi.org/10.31819/9783964561626–011
Gobyn, S. (2014). Textual Effects of Metalepsis. Amsterdam International Journal for Cultural Narratology, 7–8, 120–37.
Grishakova, M. (2009). Beyond the Frame: Cognitive Science, Common Sense and Fiction. Narrative, 17, 2, 188–99. https://doi.org/10.1353/nar.0.0022
Grishakova, M. (2019). Necessary Fictions: Supernormal Cues, Complex Cognition, and the Nature of Fictional Narrative. In M. Grishakova, M. Poulaki (Eds.), Narrative Complexity. Cognition, Embodiment, Evolution (pp. 391–413). Lincoln: University of Nebraska Press.
Hanebeck, J. (2017). Understanding Metalepsis: The Hermeneutics of Narrative Transgression. Berlin/Boston: Walter de Gruyter. https://doi.org/10.1515/9783110516920
Herman, D. (2013). Cognitive Narratology. In P. Hühn et al. (Eds.), The living handbook of narratology, Hamburg: Hamburg University. https://www-archiv.fdm.uni-hamburg.de/lhn/node/38.html
Jahn, M. (1999). 'Speak, friend, and enter': Garden Paths, Artificial Intelligence, and Cognitive Narratology. In D. Herman (Eds.), Narratologies: New Perspectives on Narrative Analysis (pp. 167–194). Columbus: The Ohio State University Press.
Jahn, M. (2011). Response to Five Questions on Narrative Theories and Poetricsy. In P. F. Bundgaard et al. (Eds.), Five Questions: Narrative Theories and Poetics (pp. 88–95). New York: Automatic Press/VIP.
Jahn, M. (2021). Narratology 2.3: A Guide to the Theory of Narrative.
Kim, A. (2016). Wilhelm Maximilian Wundt. In E. N. Zalta (Eds.) The Stanford Encyclopedia of Philosophy. Stanford: Stanford University.
Lang, S. (2006). Prolegómenos para una teoría de la narración paradójica. In N. Grabe et al. (Eds.) La narración paradójica. normas narrativas y el principio de la transgresión (pp. 21–47). Madrid: Vervuert Verlag. https://doi.org/10.31819/9783964561626–002
Leibniz, G. W. (1714). Principes de la nature et de la grâce fondés en raison. https://fr.wikisource.org/wiki/Principes_de_la_nature_et_de_la_gr%C3%A2ce_fond%C3%A9s_en_raison [view date: 23 Sep 2022].
Leleń, H. (2014). The Fantastic as a Technique of Redynamizing Mimetic Fiction. In J. Matyjaszczyk et al. (Eds.), Basic Categories of Fantastic Literature Revisited (pp. 8–24), Cambridge: Cambridge Scholars Publishing.
Malina, D. (2002). Breaking the Frame. Metalepsis and the Construction of the Subject. Columbus: Ohio State University Press.
Mari, M. (2012). Fantasmagonia. Torino: Einaudi.
Mari, M. (2014). Roderick Duddle. Torino: Einaudi.
Martínez, J. M. (2008). Subversion or Oxymoron?: Fantastic Literature and the Metaphysics of the Object. Neophilologus, 92, 367–384. https://doi.org/10.1007/s11061–007–9091–7
Meyer-Minnemann, K. (2006). Narración paradójica y ficción. In N. Grabe et al. (Eds.), La narración paradójica. normas narrativas y el principio de la transgresión (pp. 49–71). Madrid: Vervuert Verlag. https://doi.org/10.31819/9783964561626–003
Nelles, W. (1992). Stories within Stories Narrative Levels and Embedded Narrative. Studies in the Literary Imagination, 25, 79–96.
Niederhoff, B. (2013). Focalization. In P. Hühn et al. (Eds.), The living handbook of narratology. Hamburg: Hamburg University. https://www.lhn.uni-hamburg.de/node/18.html
Prince, G. (2006). Disturbing Frames. Poetics Today, 27, 3, 625–30. https://doi.org/10.1215/03335372–2006–005
Remorini, P. (2023). Aproximación cognitiva a lo fantástico como vínculo: la teoría de las apercepciones. Definición y aplicaciones en relatos de Julio Cortázar, Jorge Luis Borges y Ángel Olgoso. Brumal: Revista de Investigación sobre lo Fantástico, 10, 2, 15–45. https://doi.org/10.5565/rev/brumal.903
Remorini, P. (2022). Il racconto innominato. Analisi del paratesto di Centuria. Cento piccoli romanzi fiume di Giorgio Manganelli. Forum Italicum, 56, 1, 76–86. https://doi.org/10.1177/00145858221079216
Roas, D. (2011). Una realidad (aparentemente) estable y objetiva. tras los límites de lo real. una definición de lo fantástico. Madrid: Páginas de Espuma.
Ryan, M. L. (2004). Metaleptic Machines. Semiotica, 150, 439–69. https://doi.org/10.1515/semi.2004.055
Sandner, D. (2011). Critical Discourses of the Fantastic, 1712–1831. London: Taylor & Francis. https://doi.org/10.4324/9781315574974
Schneider, R. (2001). Toward a Cognitive Theory of Literary Character: The Dynamics of Mental-Model Construction. Style, 35, 4, 607–39.
Shen, D. (2005). What Narratology and Stylistics Can Do for Each Other. In J. Phelan, & P. J. Rabinowitz (Eds.), A Companion to Narrative Theory (pp. 136–149). London: Blackwell. https://doi.org/10.1002/9780470996935.ch9
Stockwell, P. (2002). Cognitive Poetics: an Introduction. London: Routledge. https://doi.org/10.4324/9780203995143
v. Möllendorff, P. (2018). Metalepsis. Oxford University Press. https://doi.org/10.1093/acrefore/9780199381135.013.8231
Wicher, A. (2014). Introduction. In J. Matyjaszczyk et al. (Eds.), Basic Categories of Fantastic Literature Revisited (pp. 1–7). Cambridge: Cambridge Scholars Publishing.
Tato práce je licencována pod Mezinárodní licencí Creative Commons Attribution-ShareAlike 4.0.