Michel Houellebecq : return of the sincerity of the novelistic testimony and the 'new romanticism'

Marianna Uherková

doi:10.5817/ERB2024-2-3

Michel Houellebecq : le retour de la sincérité du témoignage romanesque et le "nouveau romantisme"

Roč.45,č.2(2024)

Marianna Uherková

https://doi.org/10.5817/ERB2024-2-3

Trvalý odkaz (handle):
http://hdl.handle.net/11222.digilib/digilib.80260

PDF (francouzština)

Abstrakt

This article examines the trend towards the new sincerity and authenticity of novelistic testimony and the controversial recourse to romanticism in the novels of contemporary French writer Michel Houellebecq (* 1956). In the selected novels Extension du domaine de la lutte (1994, translated as Whatever by Paul Hammond in 1998), La carte et le territoire (2010, translated as The Map and the Territory by Gavin Bowd in 2011), Sérotonine (2019, translated as Serotonin by Shaun Whiteside in 2019) and Anéantir (2022, English translation titled Annihilation to be released 19/09/2024), it explores how Houellebecqian prose maintains a critical dialogue with subversion and how the image of an empathizing author emerges in his work. It also examines how Houellebecq's position can be compared with those of the philosophers Václav Bělohradský and Zygmunt Bauman. Finally, it examines how the author's narrative aesthetics adequately reflects the contemporary human condition through the irony of the irony, the subversion of the subversion. The author thus transcribes a specifically Houellebecquian notion of the new romanticism as a means of rediscovering the sense of life of the contemporary man and his bearings in the world.

Klíčová slova:
narrative strategies; postmodernism; irony; subversion; romanticism; authenticity; Michel Houellebecq

Stránky:
18–27

Reference

Bauman, Z. (2008). La vie liquide. Paris : Pluriel.

Bellanger, A. (2010). Houellebecq écrivain romantique. Paris : Éditions Léo Schéer.

Bělohradský, V. (2014). Společnost nevolnosti. Eseje z pozdější doby. Prague : Knižnice sociologické aktuality.

Hamon, P. (1990). L'ironie. In : Le Grand Atlas des littératures. Paris : Encyclopaedia Universalis éditeur.

Houellebecq, M. (1994). Extension du domaine de la lutte. Paris : J'ai lu.

Houellebecq, M. (2010). La carte et le territoire. Paris : Flammarion.

Houellebecq, M. (2019). Sérotonine. Paris : Flammarion.

Houellebecq, M. (2022). Anéantir. Paris : Flammarion.

Jouve, V. (2020). Poétique du roman. Paris : Armand Collin ; 5e édition.

Malinovská, Z. (2019). Michel Houellebecq, un « humaniste grinçant » ? In K. Bartha-Kovács, R. Karul, & A. Tureková (Eds.). Homme nouveau, homme ancien – Autour des figures émergeantes et disparaissantes de l'humain. Szeged : JATEPress.

Nothomb, A. (2016). Riquet à la houppe. Paris : Albin Michel.

Novak-Lechevalier, A. (2022 [2018]). Houellebecq, l'art de la consolation. Paris : Flammarion, Édition Champs Essais.

Wesemael, S. van (2010). Le roman transgressif contemporain : de Bret Easton Ellis à Michel Houellebecq. Paris : L'Harmattan.

Metriky