Vol.59,No.2(2024)

Jiří Vysloužil and his place in Czech musicology : centenary of the birth of Brno university musicology leading representative

Petr Macek
https://doi.org/10.5817/MB2024-2-1

Picciol tributo musico (Brno 1780) : unknown music of Ditters' cantata for Joseph II

Jana Burdová
https://doi.org/10.5817/MB2024-2-2

The concept of latent regularity, its initial thesis and its application in computational analysis of musical works

Petr Haas
https://doi.org/10.5817/MB2024-2-3

Models of dialogue opera in the Polish theater at the turn of the 18th and 19th centuries : Józef Elsner's works for Wojciech Bogusławski's stage

Jakub Chachulski
https://doi.org/10.5817/MB2024-2-4

Musical and educational activities of Franz Kučera in Eastern Ukraine from 1890–1911

Volodymyr Kachmarchyk, Oleksandr Ovchar
https://doi.org/10.5817/MB2024-2-5

Musical activities of the Ukrainian minority in the interwar Czech lands

Petr Kalina
https://doi.org/10.5817/MB2024-2-6

"... yet I would never choose a libretto that didn't directly fire me up." : complicated path of Pavel Haas to the libretto of The Charlatan

Ondřej Pivoda
https://doi.org/10.5817/MB2024-2-7

Fragments of oratorios from the Church of St. James in Brno

Michaela Ratolístková
https://doi.org/10.5817/MB2024-2-8

Incipit parodia : some heterogenous comments about parallels between Friedrich Nietzsche and Igor Stravinsky

Pavel Sýkora
https://doi.org/10.5817/MB2024-2-9

Janáček's Jenůfa and Suchoň's The Whirlpool

Markéta Štefková
https://doi.org/10.5817/MB2024-2-10