"Aktualisace" in English scholarly literature : interpretation, ignorance, and misunderstanding
Roč.15,č.2(2012)
154–167
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ASTON, Elaine, and George SAVONA. 1991. Theatre as Sign-System: A Semiotics of Text and Performance. London: Routledge, 1991.
BOGATYREV, Petr. 1940. Lidové divadlo české a slovenské [Czech and Slovak Folk Theatre]. Prague: Fr. Borovský a Národopisná společnost československá, 1940.
BRECHT, Bertolt. 1936. Alienation Effect in Chinese Theatre. Brecht on Theatre; the Devolpment of an Aesthetic. London: Methuen, 1964: 91‒99.
ELAM, Keir. 1980. The Semiotics of Theatre and Drama. New York: Methuen, 1980.
CARLSON, Marvin. 1993. Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present. Expanded ed. Ithaca, N.Y.: Cornell University Press, 1993.
DEÁK, František. 1976. Structuralism in Theatre: The Prague School Contribution. Drama Review 20 (1976): 4: 83‒94. | DOI 10.2307/1145077
GRYGAR, Mojmír. 1968. Pojetí literárního vývoje vruské formální metodě a včeském strukturalismu [Concept of Literary Evolution in the Russian Formal Method and Czech Structuralism]. Česká literatura 16 (1968): 3: 270‒289.
HAKEMULDER, Jèmeljan. 2004. Foregrounding and its Effects on Readers' Perception. Discourse Processes 38 (2004): 2: 193‒218.
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MUKAŘOVSKÝ, Jan. 1931. An Attempt at a Structural Analysis of a Dramatic Figure. In P. Steiner (ed.). The Prague School: Selected Writings, 1929‒1946. Austin: University of Texas Press, 1982: 171‒77.
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WILLET, John. 1964. Note to Alienation Effect in Chinese Theatre. In John Willett (ed. and trans.). Brecht on Theatre; the Development of an Aesthetic. London: Methuen, 1964: 99.
WINNER, Tomáš G. 2002. Český strukturalismus v anglofonním a frankofonním světě: ignorování a nepochopení [Prague Structuralism in the Anglophone and Francophone World: Ignorance and Misunderstanding]. Česká literatura 50 (2002): 1: 80‒88.