Stage life and stage death (after Veltruský)

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AMBROS, Veronika. 2008. Prague's experimental stage: laboratory of theatre and semiotics. Semiotica 168 (2008): 45–65.

AMBROS, Veronika. 2012. Puppets, statues, men, objects and the Prague School. Theatralia (special issue on structuralist theatre theory) 15 (2012): 2: 74–88.

BAILEY, Brett. Third World Bunfight. Available online at http://www.thirdworldbunfight.co.za/productions/exhibit-a-b-and-c.html.

DROZD, David, Tomáš KAČER and Don SPARLING (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016.

GARDNER, Lyn. 2014. Exhibit B: facing the appalling reality of Europe's colonial past. The Guardian (12. 8. 2014). Available online at: https://www.theguardian.com/stage/2014/aug/12/exhibit-b-edinburgh-festival-2014-review.

HONZL, Jindřich. 1976. Dynamics of sign in the theater. In Ladislav Matejka and Irwin R. Titunik (eds.). Semiotics of art: Prague School contributions. Cambridge, Mass.: MIT Press, 1976: 75–94.

JESTROVIĆ, Silvija. 2009. Anthropomorphic city horizon: structuralist's foregrounding in Antony Gormley's sculptures. In Veronika Ambros (ed.). Structuralism(s) today. New York/Ottawa: Legas, 2009: 191–203.

JESTROVIĆ, Silvija. 2013. Sarajevo: the world city under siege. In Kim Solga and D. J. Hopkins (eds.). Performance and the Global City. Basingstoke: Palgrave, 2013: 202–223.

MIJOVIĆ, Jelena. 2010. Metamorphoses (after Ovid). Yugoslav Drama Theatre/ Unpublished script.

O'HAGAB, Sean. 2010. Interview: Marina Abramović. The Guardian (10. 10. 2010). Available online at: https://www.theguardian.com/artanddesign/2010/oct/03/interview-marina-abramovic-performance-artist.

SONTAG, Susan. 2003. Regarding the pain of others. London: Penguin, 2003.

VELTRUSKÝ, Jiří. 1964. Man and Object in the Theatre. In Paul Garvin (ed.). A Prague School Reader on esthetics, literary structure and style. Washington: Georgetown UP, 1964: 83–91.