Macbeth, petty bourgeois

Jana Wild

doi:10.5817/TY2021-S-13

Macbeth, petty bourgeois

Roč.24,č.Special Issue(2021)

Jana Wild

https://doi.org/10.5817/TY2021-S-13

Trvalý odkaz (handle):
http://hdl.handle.net/11222.digilib/143682

PDF (angličtina)

Abstrakt

Thirty years after the fall of the Iron Curtain in 1989, Macbeth appears to be paradigmatic for the post-Communist Slovak Shakespeare. Several productions have made the play a playground to explore the world in new terms (gender issues, grotesque, social identity). The focus of this paper is on a 1999 production in Nitra which fashioned Macbeth as an Ubuesque petty bourgeois.

Klíčová slova:
Shakespeare; Macbeth; grotesque; post-Communist; gender; national identity

Stránky:
209–221

Reference

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