Affective orientation in Sarah Kane's 4.48 Psychosis

Álvar Menéndez Cámara

doi:10.5817/TY2025-2-4

Affective orientation in Sarah Kane's 4.48 Psychosis

Roč.28,č.2(2025)

Álvar Menéndez Cámara

https://doi.org/10.5817/TY2025-2-4

Trvalý odkaz (handle):
http://hdl.handle.net/11222.digilib/digilib.83100

PDF (angličtina)

Abstrakt

This article explores the affective resonance of Sara Kane's 4.48 Psychosis and its sociopolitical implications. Through the works of Sara Ahmed and Lauren Berlant it proposes a theoretical framework that focuses on affective objects and how they shape the affective orientation of the text. It also studies the figure of the affect alien and the notion of impasse to analyse how they define the affective environment of the play. Finally, the corporeality of affect is taken into account to better understand how Kane's text connects with the reader, affectively orienting them alongside its protagonist in order to reinforce the critique guided by the narrative voice.

Klíčová slova:
Sarah Kane; Affect Theory; trauma; affective objects; impasse

Stránky:
58–70

Reference

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