Brutalist theatrical procedures of Sarah Kane, Anja Hilling, Simona Semenič, and Milena Marković
Roč.28,č.2(2025)
brutalist procedures; in-yer-face theatre ; Sarah Kane; post-socialist Europe; no longer dramatic texts; theatre of unbelief
40–57
ABLET, Sarah J. 2020. Dramatic Disgust. Aesthetic Theory and Practice from Sophocles to Sarah Kane. Bielefeld: Transcript Verlag, 2020.
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BOND, Edward. 1995. A Blast at Our Smug Theatre: Edward Bond on Sarah Kane [online]. Guardian (28. 1. 1995). [accessed on 8. 8. 2025]. Available online at https://www.theguardian.com/stage/2015/jan/12/edward-bond-sarah-kane-blasted.
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HILLING, Anja. 2006. Monsun. Theater Heute (February 2006): 47–57.
HILLING, Anja. 2007. Schwarzes Tier Traurigkeit. Berlin: Felix Bloch Erben, 2007.
HILLING, Anja. 2009. Black Beast Sorrow. Transl. by Philip Thorne. Manuscript for a performance.
HILLING, Anja. 2013. It is Essential to Know About Your Own Nullity [online]. Interviewed by Jaša Drnovšek. Delo (15. 2. 2013). [accessed on 22. 8. 2025]. Available online at https://old.delo.si/kultura/oder/anja-hilling-bistveno-je-spoznanje-o-lastni-nicnosti.html.
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KOPICL, Vera. 2016. Metajezik iščašenog žanra: postdramski tekst Milene Marković [The Metalanguage of a Dislocated Genre: The Postdramatic Text of Milena Marković]. Knjiženstvo 6 (2016): 6: 1–17. http://www.knjizenstvo.rs/sr-lat/casopisi/2016/zenska-knjizevnost-i-kultura/metajezik-iscasenog-zanra-postdramski-tekst-milene-markovic#gsc.tab=0
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MARKOVIĆ, Milena. 2007. Man Across All Ages – the Same Beast. Interviewed by Vladimir Crnjanski. Scena 1–2 (2007): 47–48.
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PEŠIKAN LJUŠTANOVIĆ, Ljiljana. 2010. Bajka kao kulturni kod u ’Brodu za lutke’ Milene Marković [The Fairy Tale as a Cultural Code in Brod za lutke by Milena Marković]. Književnost i kultura 39 (2010): 2: 587–601.
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SEMENIČ, Simona. 2010. the feast or the story of a savoury corpse or how roman abramovič, the character janša, julia kristeva, age 24, simona semenič and the initials z.i. found themselves in a tiny cloud of tobacco smoke [online]. Slovene Drama in Translation. 2010. [accessed on 8. 8. 2025]. Accessed online at https://teksti.sigledal.org/en/text/zgodba-o-nekem-slastnem-truplu-ali-gostija-alikako-so-se-roman-abramovic-lik-jansa-stirindvajsetletna-julia-kristeva-simona-semenic-in-inicialki-z-i-znasli-v-oblacku-tobacnega-dima-1.
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SOSNOWSKA, Dorotha. 2024. Shame, Shame, Shame: In-Yer-Face Repertoire and Structures of Feeling in Polish Theatre. Performance Research 29 (2024): 1: 86–94. DOI: https://doi.org/10.1080/13528165.2024.2408119. | DOI 10.1080/13528165.2024.2408119
TOPORIŠIČ, Tomaž. 2007. Reteatralizacija i dekonstrukcija dramske forme: (Ne više) dramski pozorišni tekst i postdramsko pozorište (Elfride Jelinek i Sara Kejn) [Retheatricalization and Deconstruction of Dramatic Form: The (No Longer) Dramatic Theatrical Text and Postdramatic Theatre (Elfriede Jelinek and Sarah Kane)]. Scena 43 (2007): 1/2: 75–86. | DOI 10.51937/amfiteater-2022-2/18-49
TOPORIŠIČ, Tomaž. 2009/2010. Sarah Kane z Beckettom: poetika generičnega [Sarah Kane with Samuel Beckett. Poetics of Generic]. Slovensko mladinsko gledališče 1 (2009/2010): 24–36.
TOPORIŠIČ, Tomaž. 2018. Drame moči in nemoči spomina in spominjanj (Beckett, Jovanović, Semenič) [Plays of Potence and Impotence of Memory and Remembering (Beckett, Jovanović, Semenič)]. Ars & Humanitas 12 (2018): 2: 218–235. DOI: https://doi.org/10.4312/ars.12.2.218-231. | DOI 10.4312/ars.12.2.218-231

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