Roč.17,č.2(2014)

• Editorial

  5–6
  Tomáš Kačer, Barbora Příhodová

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Yorick

• Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences

  13–23
  Christian M. Billing

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Spektrum

• Where theory meets the practice: Jaroslav Malina's space, function and sign in scenography and painting

  191–222
  Barbora Příhodová

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Depeše

• "Theatrology at a crossroads": notes from a conference

  247–249
  Naďa Satková

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• 'O' – Scenographic Video-Essays

  250–251
  Tomáš Kubart

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Archiv

• [Contents of the section Archive]

  173–174
  Journal Theatralia

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• The Prague Linguistic Circle and the Prager Presse : a remark on the science in interwar Czechoslovakia

  175–187
  Martin Bernátek

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Ostatní

• Prague semiotic stage revisited II: an international symposium on Czech structuralist thought on theatre and drama, Brno, May 20‒22, 2013 : programme

  7–10
  PDF

• [Contents of the section Yorick]

  11–12
  PDF

• [Contents of the section Spectrum]

  189–190
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• [Contents of the section Orientation]

  223–224
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• [Contents of the section Events]

  245–246
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(I) The Prague School in the Contemporary Context

• Between intentionality and affect: on Jan Mukařovský's theory of reception

  24–40
  Yana Meerzon

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• The Prague School's contribution to the theory of intermediality

  41–49
  Eva Šlaisová

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• Conceptualizing the Hollywood biopic

  50–59
  Andrés Pérez-Simón

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(II) The Prague School in a Semiotic Perspective

• Mimetic and non-mimetic aspects of space in the theatre: some reflections following Jindřich Honzl's "Dynamics of the sign in the theater"

  60–70
  Freddie Rokem

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• Otakar Zich's invisible actors and creative minds

  71–80
  Martin Pšenička

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(III) Personalities and Methodologies of the Prague School

• Functional reformulations: Prague School and intralingual translation

  81–95
  Pavel Drábek

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• Jiří Veltruský revisited

  96–110
  Herta Schmid

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• Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s)

  111–121
  Šárka Havlíčková Kysová, Barbora Příhodová

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• Jan Mukařovský and theatre

  122–136
  Ondřej Sládek

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• Jindřich Honzl's texts on acting – between convention and spontaneity

  137–147
  Martina Musilová

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(IV) International Reception of the Prague School

• Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences

  148–161
  Veronika Ambros

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• Phenomenological aspects of the Prague School theatre theory

  162–171
  Elizabeth Sakellaridou

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Orientation

• Hastábhinaja: gesta rukou v tradičním divadelním umění Indie

  225–226
  Pavel Drábek

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• 100 years of Croatian set design and costume design 1909‒2009

  227–229
  Višnja Rogošić

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• Pavel Drábek's attempts at Shakespeare

  230–232
  Tomáš Kačer

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• The chronotopical overview of Croatian performance art

  233–237
  Olga Majcen Linn

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• In double trust: Shakespeare in Central Europe

  238–240
  Marcela Kostihová

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• A fresh approach to old issues

  241–243
  Šárka Havlíčková Kysová

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