The legacy of the Linguistic Circle of Prague
Vol.15,No.2(2012)
24–36
BAKHTIN, Mikhail Mikhailovich. 1990. Art and Answerability. Austin: University of Texas Press, 1990.
BAKHTIN, Mikhail Mikhailovich. 1986. Speech Genres and Other Late Essays. Austin: University of Texas Press, 1986.
BAKHTIN, Mikhail Mikhailovich. 1984. Problems of Dostoevsky's Poetics. Minneapolis: University of Minnesota Press, 1984.
BARTHES, Roland. 1964. Le théâtre de Baudelaire [The Theatre of Baudelaire]. In Essais critiques. Paris: Éditions du Seuil, 1964: 41‒47.
BARTHES, Roland. 1964a. Littérature et signification [Literature and Meaning]. In Essais critiques. Paris: Éditions du Seuil, 1964: 258‒276.
BOGATYREV, Petr. 1976. Forms and Functions of Folk Theatre. In Ladislav Matějka, and Irwing R. Titunik (eds.). Semiotics of Art. Prague School Contributions. Cambridge, Massachusetts/London: The MIT Press, 1976: 51‒56.
BOGATYREV, Petr. 1976a. Semiotics of Folk Theatre. In Ladislav Matějka, and Irwing R. Titunik (eds.). Semiotics of Art. Prague School Contributions. Cambridge, Massachusetts/London: The MIT Press, 1976: 32‒50.
BOGATYREV, Petr. 1971. Les signes du theatre [The Signs of the Theatre]. Poétique 8 (1971): 517‒530.
DE TORO, Fernando. 1995. Theatre Semiotics. Text and Staging in Modern Theatre. Frankfurt/Toronto: Vervuert Verlag and Toronto University Press, 1995.
DE TORO, Fernando. 2011. Semiótica del teatro: Cuarta edición corregida y aumentada. Buenos Aires: Editorial Glerna, 2011.
ECO, Umberto. 1977. Semiotics of Theatrical Performance. The Drama Review 21 (1977): 1: 107‒117. | DOI 10.2307/1145112
HAJIČOVÁ, Eva, Tomáš HOSKOVEC, Oldřich LEŠKA, Peter SGALL, and Zdena SKUMALOVÁ. 1999. Prague Linguistic Circle Papers. Vol. 3. Amsterdam/Philadelphia: John Benjamin, 1999.
HELBO, André. 1975. Sémiologie de la représentation [Semiology of Representation]. Bruxelles: Editions Complexe, 1975.
HELBO, André. 1990. Semiotique et théâtrologie. Cadre méthologique et méthodologie du cadre [Semiotics and Theatre Studies. Metodological frame and metodology of frame]. Manuscript, 1990.
HONZL, Jindřich. 1976. Dynamics of the Sign in the Theatre. In Ladislav Matějka, and Irwing R. Titunik (eds.). Semiotics of Art. Prague School Contributions. Cambridge, Massachusetts/London: The MIT Press, 1976: 74‒93.
HONZL, Jindřich. 1976a. The Hierarchy of Dramatic Devices. In Ladislav Matějka, and Irwing R. Titunik (eds.). Semiotics of Art. Prague School Contributions. Cambridge, Massachusetts/London: The MIT Press, 1976: 118‒127.
HONZL, Jindřich. 1971. La mobilité du signe théâtral [The Mobility of the Theatrical Sign]. Travail théâtral 4 (1971): 5‒20.
INGARDEN, Roman. 1973. The Cognition of the Literary Work of Art. Evanston: Northwestern University Press, 1973.
INGARDEN, Roman. 1973a. The Literary Work of Art. Evanston: Northwestern University Press, 1973.
KHUN, Thomas. 1970. The Structure of the Scientific Revolutions. 2nd ed. enlarged. Chicago: University of Chicago Press, 1970.
KOWZAN, Tadeusz. 1968. Le signe au théâtre [The Sign of Theatre]. Diogène 61 (1968): 59‒90.
MATĚJKA, Ladislav, and Erwin R. TITUNIK (eds.). 1976. Semiotics of Art. Prague School Contributions. Cambridge, Massachusetts/London: The MIT Press, 1976.
MUKAŘOVSKÝ, Jan. 1970. Aesthetic Function, Norm and Value as Social Facts. Ann Arbor: University of Michigan Press, 1970.
MUKAŘOVSKÝ, Jan. 1970a. Littérature et sémiologie [Literature and Semiology]. Poétique 3 (1970): 386‒398.
MUKAŘOVSKÝ, Jan. 1978. Structure, Sign, and Function. Translated and edited by John Burbank, and Peter Steiner. New Haven/London: Yale University Press, 1978.
MUKAŘOVSKÝ, Jan. 2000. Signo, función y valor. Estética y semiótica del arte de Jan Mukařovský. Introduction and translation by Jarmila Jandová and Emil Volek (eds.). Bogota: Plaza y Janéz, 2000.
TYNIANOV, Juri. 1965. De la évolution littéraire [On Literary Evolution]. In Tzvetan Todorov (ed.). Théorie de la littérature.Texte des Formalistes ruses réunis, présentés et traduits par Tzvetan Todorov. Paris: Éditions du Seuil, 1965: 120‒135.
VELTRUSKÝ, Jiří. 1976. Basic Features of Dramatic Dialogue. In Ladislav Matějka, and Irwing R. Titunik (eds.). Semiotics of Art. Prague School Contributions. Cambridge, Massachusetts/London: The MIT Press, 1976: 128‒133.
VELTRUSKÝ, Jiří 1976a. Construction of Semantic Contexts. In Ladislav Matějka, and Irwing R. Titunik (eds.). Semiotics of Art. Prague School Contributions. Cambridge, Massachusetts/London: The MIT Press, 1976: 134‒144.
VELTRUSKÝ, Jiří 1976b. Dramatic Text as a component of Theatre. In Ladislav Matějka, and Irwing R. Titunik (eds.). Semiotics of Art. Prague School Contributions. Cambridge, Massachusetts/London: The MIT Press, 1976: 94‒117.
VELTRUSKÝ, Jiří. 1989. Cualidades sonoras del texto y la actuación del actor [The Sound Qualities of the Text and the Performance of the Actor]. Gestos 4 (1989): 8: 33‒48.
VELTRUSKÝ, Jiří. 1990. El drama como literatura. Translated by Milena Grass. Buenos Aires: Editorial Galerna, 1990.
VELTRUSKÝ, Jiří. 1981. The Prague School Theory of Theatre. Poetics Today (1981): 2‒3: 225‒235.
VODIČKA, Felix. 1976. Die Struktur der literarischen Entwicklung. Translated by Christian Tuschinsky, Meter Richter, and Frank Boldt. München: Wilhelm Fink Verlag, 1976.
VODIČKA, Felix. 1970. Historia de la repercusión de la obra literaria [History of the Impact of Literary Work]. In Lingüística forma y crítica literaria. Madrid: Plaza Mayor, 1970: 47‒62.
VODIČKA, Felix, and O. OBELIC. 1971. El mundo de las letras. Santiago, Chile: Editorial Universitaria, 1971.
VOLOSHINOV, V. N. 1986. Marxism and the Philosophy of Language. Translated by Ladislav Matějka, and I. R. Titunik. Cambridge, Massachusetts: Harvard University Press, 1986.