Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding
Roč.22,č.2, Supplementum(2019)
122–139
ABULAFIA, Yaron. 2016. The art of light on stage: lighting in contemporary theatre. Abingdon, Oxon/New York: Routledge, 2016.
AMBROS, Veronika. 2008. Prague's experimental stage: laboratory of theatre and semiotics. Semiotica 168 (2008): 45–65.
BASTIC, Anthony. 2014. Qtd. in Frank Hatherley 'Theatre of Light.' Stage Whispers (May/June 2014). Available online at https://www.stagewhispers.com.au/articles/191/theatre-light.
BONICHE, Julie. 2017. Qtd. in Romane Porcon. "Strasbourg: Le ballet des ombres heureuses s'invite sur la cathédrale pour le spectacle d'été." France Bleu Alsace (24 June 2017). Available online at https://www.francebleu.fr/infos/culture-loisirs/strasbourg-le-ballet-des-ombres-heureuses-sinvite-sur-la-cathedrale-pour-le-spectacle-d-ete-1497630955.
BOGATYREV, Petr. 2016a [1936]. Folk song from a functional point of view. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016: 428–440.
BOGATYREV, Petr. 2016b [1936]. Clothing as sign. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016: 441–447.
BOGATYREV, Petr. 2016c [1940]. The extra-aesthetic function of folk theatre. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016: 464–481.
BOGATYREV, Petr. 1971a. Příspěvek ke strukturální etnografii. In Jaroslov Kolár (ed.). Souvislosti tvorby. Praha: Odeon, 1971: 64–67.
BOGATYREV, Petr. 1971b. Vánoční stromeček na východním Slovensku. In Jaroslov Kolár (ed.). Souvislosti tvorby. Praha: Odeon, 1971: 71–75.
BÜHLER, Karl. 1990 [1934]. Theory of language: the representational function of language. Philadelphia: J. Benjamins Pub. Co., 1990.
CARLSON, Marvin. 1989. Places of performance: the semiotics of theatre architecture. Ithaca: Cornell University Press, 1989.
CUNIN, Dominique. 2017. Designing authoring software environments for the interactive arts: an overview of mobilizing.js. In Everardo Reyes-Garcia and Nasreddine Bouhaï (eds.). Designing Interactive Hypermedia Systems. Hoboken: John Wiley & Sons, 2017: 131–183.
DROZD, David, Tomáš KAČER and Don SPARLING (eds.). 2016. Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016.
ECO, Umberto. 1972. La structure absente. Introduction à la recherché sémiotique. Paris: Mercure de France, 1972.
GLUCK, Christoph W. and Ranieri de CALZABIGI. 1955. Orpheus: An Opera in Three Acts. Original Italian Words by Ranieri de Calzabigi; French Adaptation for the Revised Version by Pierre Louis Moline; Music by Christoph Willibald Gluck; English Version by Edward J. Dent. London: G. Cumberlege Oxford University Press, 1955.
GARVIN, Paul L. (ed.). 1964. A Prague School reader on esthetics, literary structure, and style. Washington, D.C.: Georgetown University Press, 1964.
HAVRÁNEK, Bohuslav. 1964. The functional differentiation of the standard language. In Paul L. Garvin (ed.). A Prague School reader on esthetics, literary structure, and style. Washington, D.C.: Georgetown University Press, 1964: 3–16.
HODROVÁ, Daniela. 2001. Na okraji chaosu: Poetika literárního díla 20. století. Praha: Torst, 2001.
HONZL, Jindřich. 2016a [1933/34]. Spatial concerns in theatre. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016: 290–302.
HONZL, Jindřich. 2016b [1940]. The mobility of the theatrical sign. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016: 129–146.
HONZL, Jindřich. 1963. Věda o umění, nebo vědecké umění. Základy a praxe moderního divadla. Praha: Orbis, 1963.
KOUŘIL, Miroslav. 2016 [1945]. Theatre space and a visual artist's participation in theatre. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016: 320–335.
Le ballet des ombres heureuses: grand spectacle de l'été 2017 à Strasbourg. Europtimist (6. 7. 2017). Available online at https://www.europtimist.eu/actualites/spectacle-ete-2017-strasbourg.
MENOTTI, Gabriel. 2013. Façadelifts: New Media installations, public space, and the negotiation of civic identity. In Richard Scullion, Roman Gerodimos, Daniel Jackson and Darren G. Lilleker (eds.). The media, political participation and empowerment. London/New York: Routledge, Taylor & Francis Group, 2013: 130–141.
MONKS, Kieron. 2014. Lighting on the wall: world's most spectacular video projections.
CNN (24. 6. 2014). Available online at https://www.edition.cnn.com/2014/06/18/tech/innovation/thebest-projection-mapping-in-the-world/index.html.
MUKAŘOVSKÝ, Jan. 1948. Básnické pojmenování a estetická funkce jazyka. Kapitoly z české poetiky I: Obecné věci básnictví. Praha: Svoboda: 1948: 157–163.
MUKAŘOVSKÝ, Jan. 1964. Standard language and poetic language. In Paul L. Garvin (ed.). A Prague School reader on esthetics, literary structure, and style. Washington, D.C.: Georgetown University Press, 1964: 17–30.
MUKAŘOVSKÝ, Jan. 1966. Problém funkcí v architektuře. In Květoslav Chvatík. Studie z estetitky. Praha: Odeon, 1966: 196–203.
MUKAŘOVSKÝ, Jan. 1976. Poetic reference. In Ladislav Matejka and Irwin R. Titunik. Semiotics of Art. Cambridge: MIT Press, 1976: 155–163.
MUKAŘOVSKÝ, Jan. 1978 [1943]. Intentionality and unintentionality in art. In John Burbank and Peter Steiner. Structure, Sing, and Function: Selected Essays. Yale University Press, 1978: 89–128.
MUKAŘOVSKÝ, Jan. 1982a [1936]. Art as semiotic fact. In Peter Steiner (ed.). The Prague School: Selected Writings, 1929–1946. Austin: University of Texas Press, 1982: 3–9.
MUKAŘOVSKÝ, Jan. 1982b. Structuralism in esthetics and in literary studies. In Peter Steiner. The Prague School: Selected Writings, 1929–1946. Austin: University of Texas Press, 1982: 65–82.
MUKAŘOVSKÝ, Jan. 2016a [1931]. An attempt at a structural analysis of a dramatic figure. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016: 192–198.
MUKAŘOVSKÝ, Jan. 2016b [1937]. On stage dialogue. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016: 212–215.
MUKAŘOVSKÝ, Jan. 2016c [1941]. On the current state of the theory of theatre. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016: 59–75.
MUKAŘOVSKÝ, Jan. 2016d [1946]. On the artistic situation of the contemporary Czech theatre. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016: 519–532.
SHKLOVSKY, Viktor Borisovich. 1990. Art as device. In Benjamin Sher. Theory of Prose. Elmwood Park, IL: Dalkey Archive Press, 1990: 1–14.
ŠLAISOVÁ, Eva. 2012. Aktualizace in English scholarly literature: interpretation, ignorance and misunderstanding. Theatralia 15 (2012): 2: 154–167.
TYNANOV, Jurij. 1978. On literary evolution. In Ladislav Matejka and Krystyna Pomorska. Readings in Russian poetics: formalist and structuralist views. Ann Arbor: Michigan Slavic Publications, 1978: 66–78.
VELTRUSKÝ, Jiří. 2016 [1940]. People and things in the theatre. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016: 147–156.
VELTRUSKÝ, Jiří. 2012. An approach to the semiotics of theatre. Edited by David Drozd, et al. Brno: Muni Press, 2012.
VERMEULEN, Koert. 2017. Qtd. In Morgan Carlier, "Le ballet des ombres heureuses une immersion autour de la Cathédrale cet été." Rue 89 Strasbourg (16. 6. 2017). Available online at https://www.rue89strasbourg.com/ballet-des-ombres-heureuses-cathedrale-strasbourg-121847.
VODIČKA, Felix. 1982. The concretization of the literary work. In Peter Steiner (ed.). The Prague School: Selected Writings, 1929–1946. Austin: University of Texas Press, 1982: 103–134.
WILSON, Robert and John BELL. 1994. The language of illusion. An Interview with Robert Wilson. Theatre Week (3. 1. 1994): 17–24.
WINNER, Tomáš G. 2002. Český strukturalismus v anglofonním a frankofonním světě: ignorování a nepochopení. Česká literatura 50 (2002): 1: 80–88.
WODICZKO, Krzysztof. 1999. Critical vehicles: writings, projects, interviews. Cambridge, Mass: MIT Press, 1999.
WONG, Liliane. 2017. Adaptive reuse: extending the lives of buildings. Basel: Birkhäuser, 2017.
ZICH, Otakar. 1931. Estetika dramatického umění. Prague: Melantrich, 1931.
ZICH, Otakar. 2016. Principles of theoretical dramaturgy. In David Drozd, Tomáš Kačer and Don Sparling (eds.). Theatre theory reader. Prague School writings. Prague: Karolinum Press, 2016: 34–35.
Tato práce je licencována pod Mezinárodní licencí Creative Commons Attribution-NonCommercial-NoDerivatives 4.0.