The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno

Dagmar Inštitorisová

The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno

Roč.21,č.2(2018)

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The study of the Scenography for Shakespearománie I.–III. [Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno is an analytical and poetological profiling of the three productions created within the project called SHAKESPEAROMÁNIE [Shakespearomania Trilogy], directed by Peter Scherhaufer, one of the most regarded Czechoslovak directors of Slovak origin, who is also a co-founder of the Goose on a String Theatre in Brno. The said productions are: Veličenstva Blázni – SHAKESPEAROMÁNIE I (1988) [Their Majesties' Fools – Shakespearomania Trilogy I], Lidé Hamleti – SHAKESPEAROMÁNIE II (1990) [The Hamlet Humans – Shakespearomania Trilogy II] and Člověk Bouře – SHAKESPEAROMÁ- NIE III (1993) [The Tempest Man – Shakespearomania Trilogy III]. The emphasis is not only on the scope of dramatic language used in the plays, but also on the development of some of their production and scenographic characteristics in a pretextual situation, their reception, and partly their place within the context of Scherhaufer's work. Special attention is paid to the prehistory of spatial analysis of dramatic texts – a method, which P. Scherhaufer used when preparing the project. The stage design of the productions within the project is interpreted primarily from the standpoint of semiotics and pretext.

Klíčová slova:
Peter Scherhaufer; project SHAKESPEAROMÁNIE I.–III. [Shakespearomania Trilogy]; language; poetics; conventional signs; intertextuality; specifics of individual style; stage design; scenography

Stránky:
112–126

Reference

CILLER, Jozef. 2006. Pár slov na úvod [A few words to begin with]. In Dagmar Inštitorisová and col. Peter Scherhaufer – Učiteľ "šašků" [On the Direction Style of Peter Scherhaufer]. Bratislava: Eleonóra Noterská – NM Code in cooperation with the Association Corpus, 2006: 9–10.

INŠTITORISOVÁ, Dagmar. 2006. K režijnému rukopisu Petra Scherhaufera [On the Direction Style of Peter Scherhaufer]. In Dagmar Inštitorisová and col. Peter Scherhaufer – Učiteľ "šašků" [Peter Scherhaufer – the Teacher of 'Clowns']. Bratislava: Eleonóra Noterská – NM Code in cooperation with the Association Corpus, 2006: 16–20.

KOHUTOVÁ, Petra. 1991. SHAKESPEAROMÁNIE. Pokus o orientaci v projektu Divadla Husa na provázku [SHAKESPEAROMANIA. An Attempt to Get Oriented in the Project of the Goose on the String Theatre]. Svět a divadlo 2 (1991): 8: 65–69.

OSLZLÝ, Petr. 1999. Divadlo Husa na provázku 1968/7–1998 (kniha v pohybu I...) [The Goose on the String Theatre 1968/7–1998 (a Book in Motion I…)]. Brno: Centre for Experimental Theatre, 1999.

OSLZLÝ, Petr. 2010. Smysl nepravidelnosti [The sense in irregularity]. In Bořivoj Srba: Vykročila husa a vzala člověka na procházku: Pojď! Založení a prvních pět let umělecké tvorby Mahenova nedivadla Husa na provázku [Divadla na provázku] 1967–1972. Dokumenty – memoáry – studie [The goose stepped out and took man for a walk: Come! The establishment and first five years of artistic creations in Mahen's non-theatre The Goose on the String [theatre on the string] 1967–1972. Documents – memoirs– studies]. Brno: Janáček Academy of Music and Performing Arts in Brno, 2010: 599–605.

SHAKESPEAROMÁNIE I. – Veličenstva blázni. 1988. (Bulletin k inscenácii) [SHAKESPEAROMANIA I. – Their Majesties Fools. 1988. (Theatre Programme)]. Brno: The Goose on the String Theatre, 1988.

SCHERHAUFER, Peter. 1993. K projektu SHAKESPEAROMÁNIE I–III [On the Project of Shakespearomania I-III] In SHAKESPEAROMÁNIE I.–III. (Theatre Programme). Brno: Goose on the String Theatre, 1993.

SCHERHAUFER, Peter. 1996. SHAKESPEAROMÁNIA. K projektu Shakespearománie [SHAKESPEAROMANIA. On the Project of Shakespearomania]. In SCHERHAUFER, Peter. Divadelné projekty Divadla Husa na provázku [Theatre Projects of the Project Goose on the String Theatre]. Bratislava: The National Centre of Culture and Further Education, 1996: 173–178.

SCHERHAUFER, Peter. 1988. Inscenování v nepravidelném prostoru [Stage Design in Irregular Spaces]. Brno – Ostrava: Regional Cultural Center, Karviná County Cultural Center, 1988.

SRBA, Bořivoj. 2010. Vykročila husa a vzala člověka na procházku: Pojď! [A Goose Stepped Out and Took a Man Out for a Walk]. Brno: Janáček Academy of Music and Performing Arts in Brno, 2010.

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