Roč.21,č.2(2018)

Yorick

Visualising process: Hofman's 1926 Hamlet reconstructive practice

15–28

Cat Fergusson

PDF (angličtina)
A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets

29–37

Dan Matthews

PDF (angličtina)
Scenographer Antonín Heythum and his work in the US: the case of King Lear

38–63

Vlasta Koubská

PDF (angličtina)
From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre

64–78

Jana Wild

PDF (angličtina)
Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad

79–94

Zuzana Koblišková

PDF (angličtina)
A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko

95–111

Ewa Tomaszewska

PDF (angličtina)
The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno

112–126

Dagmar Inštitorisová

PDF (angličtina)
Othello and the perception of race within the cultural context of Czech and Slovak theatres

127–140

Zuzana Koblišková

PDF (angličtina)

Spektrum

Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts

141–160

Albena Tagareva

PDF (angličtina)
The political dimension of the performance Jeanne d'Arc au bûcher [Joan of Arc at the Stake] in the Janáček Theatre, Brno in 1969

161–172

Helena Spurná

PDF (angličtina)

Host

Interview with Jan Dušek (13. 2. 2018)

173–181

Vlasta Koubská, Jan Dušek

PDF (angličtina)
We must take these risks : interview with Matthias Warstat

182–186

Radka Kunderová, Matthias Warstat

PDF (angličtina)
Obamovo tělo : performativní aspekty politické rétoriky

187–199

Matthias Warstat

PDF

Orientace

Mirrors of/for the times: Shakespeare in Central European theatre

201–203

Filip Krajník

PDF (angličtina)
Hlasy troch prekladateľov

204–207

Jana Wild

PDF (slovenština)
What makes British musicals uniquely British?

208–210

Tereza Zálešáková

PDF (angličtina)
Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium

211–213

Tomáš Kačer

PDF (angličtina)
How to present ancient theatre on television

214–216

Eva Stehlíková

PDF (angličtina)

Depeše

The urge to share knowledge

217–219

Tereza Turzíková

PDF (angličtina)
Theory as a 'tool-box': Brno Theatralia Conference 2018

220–222

Dita Lánská

PDF
Zichova Vina – ohlasy na koncertní provedení ukázek

223–235

David Drozd, Helena Spurná, Jindřiška Bártová, Martin Flašar, Pavel Drábek, Jiří Zahrádka, Patricie Částková, Hana Kovaříková, Hana Hložková

PDF (angličtina)

Editorial

Making space for Shakespeare in the Central European imaginary : editorial

7–13

Christian M. Billing, Šárka Havlíčková Kysová

PDF (angličtina)

Appendix2

Curculio aneb Darmojed

237–267

Plautus Plautus

PDF