Vol.21,No.2(2018)

Yorick

Visualising process: Hofman's 1926 Hamlet reconstructive practice

15–28

Cat Fergusson

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A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets

29–37

Dan Matthews

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Scenographer Antonín Heythum and his work in the US: the case of King Lear

38–63

Vlasta Koubská

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From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre

64–78

Jana Wild

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Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad

79–94

Zuzana Koblišková

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A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko

95–111

Ewa Tomaszewska

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The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno

112–126

Dagmar Inštitorisová

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Othello and the perception of race within the cultural context of Czech and Slovak theatres

127–140

Zuzana Koblišková

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Spectrum

Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts

141–160

Albena Tagareva

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The political dimension of the performance Jeanne d'Arc au bûcher [Joan of Arc at the Stake] in the Janáček Theatre, Brno in 1969

161–172

Helena Spurná

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Guests

Interview with Jan Dušek (13. 2. 2018)

173–181

Vlasta Koubská, Jan Dušek

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We must take these risks : interview with Matthias Warstat

182–186

Radka Kunderová, Matthias Warstat

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Obamovo tělo : performativní aspekty politické rétoriky

187–199

Matthias Warstat

PDF (Czech)

Reviews

Mirrors of/for the times: Shakespeare in Central European theatre

201–203

Filip Krajník

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Hlasy troch prekladateľov

204–207

Jana Wild

PDF (Slovak)
What makes British musicals uniquely British?

208–210

Tereza Zálešáková

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Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium

211–213

Tomáš Kačer

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How to present ancient theatre on television

214–216

Eva Stehlíková

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Events

The urge to share knowledge

217–219

Tereza Turzíková

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Theory as a 'tool-box': Brno Theatralia Conference 2018

220–222

Dita Lánská

PDF (Czech)
Zich's Guilt – reactions to the concert performance of extracts

223–235

David Drozd, Helena Spurná, Jindřiška Bártová, Martin Flašar, Pavel Drábek, Jiří Zahrádka, Patricie Částková, Hana Kovaříková, Hana Hložková

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Editorial

Making space for Shakespeare in the Central European imaginary : editorial

7–13

Christian M. Billing, Šárka Havlíčková Kysová

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Appendix2

Curculio aneb Darmojed

237–267

Plautus Plautus

PDF (Czech)