Roč.18,č.2(2015)

Yorick

The enigmatic puppets of important Czech marionettists, the Flachs

35–69

Jaroslav Blecha
https://doi.org/10.5817/TY2015-2-2

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Puppet cabaret: visual idioms, performance technologies and the poetics of Czech special puppets in a European context 1850–1950 : (from artistic automata through trick and variety puppets, to puppet cabaret and variety show clowns and acrobats)

70–134

Marie Jirásková, Pavel Jirásek
https://doi.org/10.5817/TY2015-2-3

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The Renaissance of Czech puppetry and the cinema

135–167

Martin Bernátek
https://doi.org/10.5817/TY2015-2-4

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Josef Skupa: the birth of a modern artist

168–230

Pavel Jirásek
https://doi.org/10.5817/TY2015-2-5

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Czech puppet theatre dramaturgy as a specific phenomenon

231–276

Kateřina Lešková Dolenská

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Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta's Polish productions

277–302

Kasia Lech
https://doi.org/10.5817/TY2015-2-7

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Surreally human: Jan Švankmajer's world of self-destructive puppets

303–328

Georgia Chryssouli
https://doi.org/10.5817/TY2015-2-8

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Forgotten toyhood

329–346

Dan North
https://doi.org/10.5817/TY2015-2-9

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Czech puppet theatre - tradition, legend, and reality: or, is contemporary Czech puppet theatre and endangered species?

347–383

Nina Malíková
https://doi.org/10.5817/TY2015-2-10

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Orientace

Review of Petr Matásek – the scenographic puppet master

463–465

Pavel Drábek
https://doi.org/10.5817/TY2015-2-14

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Review of The Puppet and the Modern

466–470

Christian M. Billing
https://doi.org/10.5817/TY2015-2-15

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Review of The Routledge Companion to Puppetry and Material Performance

471–476

Pavel Drábek
https://doi.org/10.5817/TY2015-2-16

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Review of Jan Švankmajer: Dimensions of Dialogue Between Film and Art

477–480

Christian M. Billing
https://doi.org/10.5817/TY2015-2-17

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Review of Talking Scenography: Conversations between Jarka Burian and Josef Svoboda

481–484

Sylva Marková

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Review of The Routledge Companion to Dramaturgy

485–489

Eva Daníčková
https://doi.org/10.5817/TY2015-2-19

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Review of Dramaturgy in the Making: A User's Guide for Theatre Practitioners

490–492

Eva Daníčková
https://doi.org/10.5817/TY2015-2-20

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Review of How Theatre Means

493–498

Pavel Drábek
https://doi.org/10.5817/TY2015-2-21

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A Great German Pickelhäring and a Beheaded Virgin Saint

499–502

Pavel Drábek
https://doi.org/10.5817/TY2015-2-22

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Archiv

Puppet theatre

505–513

Otakar Zich
https://doi.org/10.5817/TY2015-2-23

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Introduction

Czech puppet theatre in global contexts: roots, theories and encounters

5–31

Christian M. Billing, Pavel Drábek
https://doi.org/10.5817/TY2015-2-1

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Documents

Backstage and on tour with Yorick's Marionettes

387–414

Agnès Novak, Dušan Petráň
https://doi.org/10.5817/TY2015-2-11

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Stasis and Flux: Czech puppet culture in Columbus, Ohio (Winter/Spring 2013)

415–428

Joseph E. Brandesky
https://doi.org/10.5817/TY2015-2-12

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List of puppetry exhibitions by Czech organisers in the Czech Republic and abroad 1989–2015

429–459

Martina Pecková Černá
https://doi.org/10.5817/TY2015-2-13

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