Surrealisme, lekenhet og det uhyggelige i Ellen Einans lyrikk

Roč.32,č.2(2018)

Eva Pitronová

https://doi.org/10.5817/BBGN2018-2-11

Trvalý odkaz (handle):
http://hdl.handle.net/11222.digilib/138839

PDF (němčina)
Abstrakt
This paper deals with the poetic oeuvre of one of the most enigmatic Norwegian poets, Ellen Einan. Altogether, she published 14 poetry collections between 1978 and 2009. All of them are characterized by an automatic writing technique, specific metaphorical images and complicated language constructions. In this article, which is based on my diploma thesis, I focus on modernist and surrealist elements in the work of Einan. These are mainly manifested in the composition of the text in regards to its obvious incoherence, in the way the author composes new words, but also in motives such as connection between sleep, game and death. In the last section, I point to Einan's elaboration of the uncanny and the disturbing, convulsive beauty. In this sense, she can be compared to female surrealist poets.

Klíčová slova:
Ellen Einan; Norwegian poetry; modernism; surrealism; metaphor; convulsive beauty

Stránky:
125–145
Reference

ANDERSEN, Hadle Oftedal (1998): Poesiens pil: lyrikk 1959–. Oslo.

ARMSTRONG, Charles I. (1997): The Sacrifices of Ellen Einan. I: Scandinavian Studies 69 (2): 212–42.

ARMSTRONG, Charles I. (2017): "Jeg er en hugget gren". Fra tap til fravær i Ellen Einans forfatterskap.' I: HAMM, Christine, Siri Hempel LINDØE og Bjarne MARKUSSEN: Lidelsens estetikk. Sår, sorg og smerte i litteratur, film og medier. Bergen, S. 27–52.

BLANCHOT, Maurice (1993): The infinite conversation. Minneapolis.

CARON, Stéphanie (2007): Réinventer le lyrisme. Le Surréalisme de Joyce Mansour. Genéve.

DRAGSETH, Terje (2005): Bortenfor det vi vet. I: Morgenbladet, 19.–25. 8., S. 42.

EINAN, Ellen (2011): Samlede dikt. Oslo.

FLØGSTAD, Kjartan [et al.] (1980): Surrealisme: en antologi. Oslo.

FOSSE, Jon, [et. al] (1995): Poetisk modernisme. Oslo.

FOSTER, Hal (1993): Compulsive beauty. Cambridge.

FREUD, Sigmund (1998): Det uhyggelige. København.

GUJORD, Heming (1996): "Sovetreet med selvets krone duver." En tankegang i Ellen Einans tekstlandskap'. I: Nordica Bergensia 11, S. 171.

JOHANSEN, Hugo (2012): En gåtefull verden. In: Lofotposten, 15. 5. 2012, S. 12.

LIE, Sissel og Karen GUNDERSEN (1978): Kvinner i surrealisme. Lysaker.

LIE, Sissel (2011): Kvinners surrealisme: Hyener og nattsommerfugler. Trondheim.

ORTONY, Andrew (1980): Understanding metaphors. Technical report no. 154. University of Illinois.

PICON, Gaëtan (1997): Surrealists and surrealism. Geneva.

ROTTEM, Øystein (1998): Etterkrigslitteraturen. Bind 3: Vår egen tid 1980–1998. Oslo.

STRAUME, Eilif (1995): I Ellen Einans forunderlige have. I: Aftenposten. 26. 1. 1995.

TYTHACOTT, Luise (1999): A "Convulsive Beauty': Surrealism, Oceania and African Art. I: Journal of Museum Ethnography 11, S. 43.

VOLD, Jan Erik (1990): Poetisk praksis 1975–1990. Oslo.

VOLD, Jan Erik (1985). Jeg som bare lener blyanten sånn passe mot papiret og la den fly.... I: Samtiden 1, S. 65–72.

VOJVODÍK, Josef (2006): Imagines corporis. Tělo v české moderně a avantgardě. Praha.

WESTERÅS, Lene E. (2005): Ellen i luren. Ellen Einan i samtalen med Lene E. Westerås. I: Kuiper nr. 1 2005, S. 64–66

YSTAD, Vigdis: Diktet. I: Dag og tid, 12. 1. 2018.

ZAMBOR, Ján (2011): Tvarovanie básne, tvarovanie zmyslu, Bratislava.

Lyrikeren Ellen Einan priset. I: Aftenposten, 22. 8. 2002.

Ancient Egypt: The Mythology. Colors. http://www.egyptianmyths.net/colors.htm (13. 3. 2017).

Metriky

0

Crossref logo

6

Views

0

PDF (němčina) views

PDF (němčina)