Roč.27,č.1(2024)

• Scenography: a motley stream of colours, forms, and layers : editorial

  7–11
  Věra Velemanová, Šárka Havlíčková Kysová
  https://doi.org/10.5817/TY2024-1-1

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Yorick

• Scenography as a living transformator of the theatrical space : the 'on stage' spatialities of Giorgos Patsas and Dionisis Fotopoulos

  13–34
  Nikolas Kanavaris
  https://doi.org/10.5817/TY2024-1-2

  PDF (angličtina)

• Expanded scenography from the Global South

  35–56
  Renato Bolelli Rebouças
  https://doi.org/10.5817/TY2024-1-3

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• Architecture, performance, and scenography : exploring the body experience in the house – insights from Ensaios do corpo

  57–78
  Natália Dário Mendes Barros, Cristiano Cezarino Rodrigues
  https://doi.org/10.5817/TY2024-1-4

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• Scenographic contraptions : designing uncertainty and orchestrating error for the generation of participatory scenography

  79–111
  Christina Penna
  https://doi.org/10.5817/TY2024-1-5

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• Experiencing the infra-ordinary : the power of imaginative spaces

  112–144
  Tereza Stehlíková, Katja Vaghi
  https://doi.org/10.5817/TY2024-1-6

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Spektrum

• The theatrical fate of Shakespeare's Great Tragedies in Hungary : metadata and their value

  145–166
  Zsolt Almási
  https://doi.org/10.5817/TY2024-1-7

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• Radio and audiobook acting : comparative analysis of two audio productions of The Master and Margarita

  167–193
  Tomáš Bojda
  https://doi.org/10.5817/TY2024-1-8

  PDF (angličtina)

• Ohýbání času : dramaturgické principy v projektovém způsobu práce Elišky Brtnické a kolektivu

  194–214
  Kateřina Korychová, Martin Bernátek
  https://doi.org/10.5817/TY2024-1-9

  PDF

Host

• Ethical scenography in the North American Cluster programme at the Prague Quadrennial

  215–235
  Ian Garett
  https://doi.org/10.5817/TY2024-1-10

  PDF (angličtina)

• Curating amidst compounding crises : the Lebanese contribution to the 2023 Prague Quadrennial of Performance Design and Space

  236–266
  Hadi Damien
  https://doi.org/10.5817/TY2024-1-11

  PDF (angličtina)

Orientace

• And so the world bleeped, blooped, buzzed, and glitched. Now hear this

  267–270
  Eliška Raiterová
  https://doi.org/10.5817/TY2024-1-12

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Depeše

• Acts of Assembly : the Performance Space Exhibition at PQ 2023

  271–278
  Andrew Filmer
  https://doi.org/10.5817/TY2024-1-13

  PDF (angličtina)

• Fragments exhibition at PQ 2023

  279–286
  Klára Zieglerová
  https://doi.org/10.5817/TY2024-1-14

  PDF (angličtina)

• The Late Antroposcene Findings : rethink/recycling the theatre props : Bulgarian participation in PQ 2023

  287–293
  Albena Tagareva
  https://doi.org/10.5817/TY2024-1-15

  PDF (angličtina)

• Transformation, repair, and change! : scenographic strategies in teaching socially-engaged performance

  294–301
  Athena Stourna
  https://doi.org/10.5817/TY2024-1-16

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Archiv

• Costume design for public space : a view from Complejo Conejo, Chilean performance collective

  303–309
  Jhonn Álvarez
  https://doi.org/10.5817/TY2024-1-17

  PDF (angličtina)