Vol.27,No.2(2024)

• Theatre in the digital age : editorial

  7–12
  Zsolt Almási, Kinga Földváry
  https://doi.org/10.5817/TY2024-2-1

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Yorick

• How the digital age has transformed the landscape of contemporary Russophone dramaturgy : tools, methods of presentation, reception

  13–27
  Natalia Skorokhod
  https://doi.org/10.5817/TY2024-2-2

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• The corporeal and the intangible : puppet theatre in the digital age

  28–44
  Gabriella Reuss
  https://doi.org/10.5817/TY2024-2-3

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Spectrum

• Being in the past : military reenactment from the perspective of theatre and performance studies

  45–63
  Barbora Dolanová, Lukáš Kubina
  https://doi.org/10.5817/TY2024-2-4

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• Palace protégée and pop-star : Elsa Enkel in Greece, 1913–1933

  64–79
  Anna Leon
  https://doi.org/10.5817/TY2024-2-5

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Reviews

• Archaeologists from the future : the Billennium in Budapest

  87–90
  Tamás Jászay
  https://doi.org/10.5817/TY2024-2-7

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• A pair of maiden worlds unconquered

  91–93
  Veronika Schandl
  https://doi.org/10.5817/TY2024-2-8

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• Unveiling trauma through literature : key insights and theatrical perspectives

  100–103
  Hossein Oroumiehchiha
  https://doi.org/10.5817/TY2024-2-10

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• V hlavní roli Leopold II. Lažanský

  104–106
  Dominika Polášková
  https://doi.org/10.5817/TY2024-2-11

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• Demythicised images by Romeo Castellucci

  94–99
  Tomáš Kubart
  https://doi.org/10.5817/TY2024-2-9

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Guests

• Immersed in culture : designing a collaborative virtual reality theatre platform for Mandarin learners : interview with Natálie Káčová, Wei-lun Lu, Čeněk Šašinka, and Alžběta Šašinková

  81–86
  Zsolt Almási, Kinga Földváry, Natálie Káčová, Wei-lun Lu, Čeněk Šašinka, Alžběta Šašinková
  https://doi.org/10.5817/TY2024-2-6

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