Vol.37,No.1(2016)

Dossier thématique: (E)migrações, transferências, exílio: mestiçagens e dinâmicas da cidade

(E)migrations, transfers, exiles: crossbreeding and dynamics of the city : an introduction

7–9

Silvie Špánková
https://doi.org/10.5817/ERB2016-1-1

PDF (Portuguese)
From an oral language without writing to the writing of an oral language: the case of Cape Verdean Creole from the islands of Barlavento and Sotavento

11–26

Natalia Czopek
https://doi.org/10.5817/ERB2016-1-2

PDF (Portuguese)
Empire and "disempire" – questions of territoriality in António Lobo Antunes' Return of the Caravels

27–37

Bálint Urbán
https://doi.org/10.5817/ERB2016-1-3

PDF (Portuguese)
The fiction of António Lobo Antunes: a legion of gibberish inside silence

39–46

Evelyn Blaut Fernandes
https://doi.org/10.5817/ERB2016-1-4

PDF (Portuguese)
Image of postcolonial Lisbon in Elephant's Memory by António Lobo Antunes

47–57

Silvie Špánková
https://doi.org/10.5817/ERB2016-1-5

PDF (Portuguese)
The immigrants' Manaus in the works of Milton Hatoum

59–67

Yana Andreeva
https://doi.org/10.5817/ERB2016-1-6

PDF (Portuguese)
The experience of exile in Inácio Rebelo de Andrade's work

69–78

Zuleide Duarte
https://doi.org/10.5817/ERB2016-1-7

PDF (Portuguese)
Os Poucos Poderes and the Portuguese emigration (yesterday and today)

79–88

Manaíra Aires Athayde
https://doi.org/10.5817/ERB2016-1-8

PDF (Portuguese)
A rising dough: the image of Angola and Mozambique in Miguel Torga's Diary

89–101

Lenka Kroupová
https://doi.org/10.5817/ERB2016-1-9

PDF (Portuguese)
Silence and pantonality as an aesthetic materiality in John Cage

103–110

Caio Di Palma de Souza Medeiros
https://doi.org/10.5817/ERB2016-1-10

PDF (Portuguese)

Études

"Des couples sans gloire" : an approach to the description of emotions in the short stories by Maurice Leblanc

113–126

Ana Alonso
https://doi.org/10.5817/ERB2016-1-11

PDF (French)
Simon Gantillon and dramatic expressionism

127–136

Tomasz Kaczmarek
https://doi.org/10.5817/ERB2016-1-12

PDF (French)
From sticker to the origin of the aventi in the narrative of Juan Marsé

137–152

Yolanda Pérez Sinusía
https://doi.org/10.5817/ERB2016-1-13

PDF (Spanish)
The Eyes in the Wings, or, Kant Offstage: Ortega's Dehumanization as seen by Václav Černý

153–166

José Luis Bellón Aguilera
https://doi.org/10.5817/ERB2016-1-14

PDF (Spanish)
The use of the pronoun "on" in the narrator's speech of La Peste by Albert Camus

167–180

Bauvarie Mounga, Patrick Dendale
https://doi.org/10.5817/ERB2016-1-15

PDF (French)
Cyclic changes in Portuguese in the context of the evolution of the Romance languages

181–192

Jan Hricsina
https://doi.org/10.5817/ERB2016-1-16

PDF (Portuguese)
Argument structure and non-eventive nouns in Catalan: a descriptive approach

193–208

Elga Cremades Cortiella
https://doi.org/10.5817/ERB2016-1-17

PDF (Catalan)

Comptes rendus

[Voždová, Marie. Jean Anouilh mezi divadlem a pokušením filmu]

211–212

Václava Bakešová
https://doi.org/10.5817/ERB2016-1-18

PDF (French)
[Leroy, Géraldi. Charles Péguy: l'inclassable]

221–214

Libor Procházka
https://doi.org/10.5817/ERB2016-1-19

PDF (French)
[Vega, José Luis. El arpa olvidada: (guía para lectura de la poesía)]

214–215

Hana Rozlozsniková
https://doi.org/10.5817/ERB2016-1-20

PDF (Spanish)
[Galindo Merino, María del Mar. La lengua materna en el aula de ELE]

216–217

María del Carmen Méndez Santos

PDF (Spanish)
[Wotjak, Gerd; Padrón, Dolores García; Fumero Pérez, María del Carmen (eds.). Estudios sobre lengua, cultura y cognición]

217–218

Ivo Buzek
https://doi.org/10.5817/ERB2016-1-22

PDF (Spanish)
[Marini, Alessandro. Bertolucci: il cinema, la letteratura: il caso Prima della rivoluzione]

219–220

Jan Švábenický
https://doi.org/10.5817/ERB2016-1-23

PDF (Italian)