Roč.24,č.Special Issue(2021)

• Introduction

  7–13
  Zsolt Almási, Kinga Földváry
  https://doi.org/10.5817/TY2021-S-1

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Chapter 1: Raising the (Iron) Curtain: The Heritage of 1989 in the New Europe

• Shakespeare in purgatory: (re)writing the history of the post-war reception

  17–32
  Anna Cetera-Włodarczyk
  https://doi.org/10.5817/TY2021-S-2

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• Shakespeare on the page in Romania: before and after 1989

  33–46
  George Volceanov
  https://doi.org/10.5817/TY2021-S-3

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• Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990

  47–64
  Péter Müller
  https://doi.org/10.5817/TY2021-S-4

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• Institutional heritage and 'that Shakespearean hazard' 1989–2019: the case of the Katona József Theatre and SzFE's Ódry Theatre

  65–82
  Natália Pikli
  https://doi.org/10.5817/TY2021-S-6

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• 'Shakestivalling' in the New Europe

  83–101
  Nicoleta Cinpoeş
  https://doi.org/10.5817/TY2021-S-5

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Chapter 2: (E)Merging Practices in Post-1989 Central European Theatre(s)

• Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre

  105–119
  Kornélia Deres
  https://doi.org/10.5817/TY2021-S-7

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• Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest

  121–138
  Anna Kowalcze-Pawlik
  https://doi.org/10.5817/TY2021-S-8

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• Maja Kleczewska's 2019 Hamlet/Гамлет: a case of trans- / inter-cultural Shakespeare production in Poland thirty years after the transition

  139–150
  Jacek Fabiszak
  https://doi.org/10.5817/TY2021-S-10

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• Shakespeare in the post-1989 Hungarian Puppet Scene

  151–170
  Gabriella Reuss
  https://doi.org/10.5817/TY2021-S-9

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• Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989

  171–185
  Ivona Mišterová
  https://doi.org/10.5817/TY2021-S-11

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Chapter 3: Performing Power and Identity

• Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989

  189–208
  Šárka Havlíčková Kysová
  https://doi.org/10.5817/TY2021-S-14

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• Macbeth, petty bourgeois

  209–221
  Jana Wild
  https://doi.org/10.5817/TY2021-S-13

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• Textuality, heritage, and identity in Hungary: contexts for the interpretation of Szikszai's insertion in Macbeth (2018)

  222–238
  Zsolt Almási
  https://doi.org/10.5817/TY2021-S-12

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• Reappropriations of Shakespearean history on the post-communist Hungarian stage

  239–253
  Kinga Földváry
  https://doi.org/10.5817/TY2021-S-15

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