Theatralia

• Puppetry with(out) classics? : editorial

  7–11
  Gabriella Reuss, Kateřina Dolenská
  https://doi.org/10.5817/TY2026-1-1

  PDF (angličtina)

Yorick

• The monstrous and the human : puppetry in Budapest Puppet Theatre's Frankenstein

  13–32
  Ildikó Limpár
  https://doi.org/10.5817/TY2026-1-2

  PDF (angličtina)

• Death of puppets and puppets of death in Macbeth (directed by Rémusz Szikszai, 2018, Jászai Mari Theatre Tatabánya and Szkéné Theatre Budapest, Hungary)

  33–51
  Márta Hargitai
  https://doi.org/10.5817/TY2026-1-3

  PDF (angličtina)

• Is the puppet the only 'good person'? : Bertolt Brecht's The Good Person of Szechwan in two puppet versions by Michael Meschke (Marionetteatern Stockholm, 1963) and Moritz Sostmann (Schauspiel Köln, 2013)

  52–70
  Mascha Erbelding
  https://doi.org/10.5817/TY2026-1-4

  PDF (angličtina)

• Human puppets at the crossroads : a multilayered puppet adaptation of Katherine Mansfield's classic short story The Daughters of the Late Colonel

  71–87
  Janka Kascakova
  https://doi.org/10.5817/TY2026-1-5

  PDF (angličtina)

• Antique tragedies in the Banialuka Puppet Theatre in Bielsko-Biała (Poland)

  88–112
  Ewa Tomaszewska
  https://doi.org/10.5817/TY2026-1-6

  PDF (angličtina)

Spektrum

• Dot to dot : storytelling without words, through gesture and abstraction : What can robotics learn from puppetry's language of gesture? : insights from a theatrical experiment

  113–134
  Eszter Angéla Kocsis
  https://doi.org/10.5817/TY2026-1-7

  PDF (angličtina)

• The library of the 19th century French itinerant marionette theatre : the case of the Pitou Theatre

  135–149
  Yanna Kor
  https://doi.org/10.5817/TY2026-1-8

  PDF (angličtina)

• První slezská opera Carla Ditterse von Dittersdorf Il viaggiatore americano in Joannesberg : analýza libreta a jeho návaznost na hudební provoz na Jánském Vrchu

  150–176
  Kristýna Krejčová, Jana Spáčilová
  https://doi.org/10.5817/TY2026-1-9

  PDF

• The Cartesian mind/body split in Lehmann's postdramatic theatre : doubting de-dramatic theatre in light of social cognition

  177–205
  Eleni Timplalexi
  https://doi.org/10.5817/TY2026-1-10

  PDF (angličtina)

Hosté

• A piece of Indonesia in Czechia : The puppetry family symbolically 'adopted' me and entrusted me with care for the collection : interview with Jana Wolfová

  207–214
  Kateřina Dolenská, Jana Wolfová
  https://doi.org/10.5817/TY2026-1-11

  PDF (angličtina)

Depeše

• Animating objects : Laitrum Teatre's Micro-Shakespeare Macbeth, created by Toti Toronell and Angus McKechnie

  215–218
  Jennifer A. Low
  https://doi.org/10.5817/TY2026-1-12

  PDF (angličtina)

• From chanson to clangour : the Opera dei Pupi at Glasgow's Scottish Mask and Puppet Centre

  219–221
  Yuan Liu
  https://doi.org/10.5817/TY2026-1-13

  PDF (angličtina)

• The life of puppets : on the survival of puppet-making in Hungary : conference report and interview with Dániel Fehér

  222–226
  Gabriella Reuss, Dániel Fehér
  https://doi.org/10.5817/TY2026-1-14

  PDF (angličtina)

Archiv

• Does the puppet die beyond the stage? : the story of a paper ball from 1891, discovered in 2018

  227–232
  Lilla Lovas
  https://doi.org/10.5817/TY2026-1-15

  PDF (angličtina)