Vol.24,No.1(2021)

• Editorial

  7–10
  Klára Škrobánková, Pavel Drábek
  https://doi.org/10.5817/TY2021-1-1

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Yorick

• The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669)

  11–33
  Claudine van Hensbergen
  https://doi.org/10.5817/TY2021-1-2

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• Restoration theatre, indirect translation and the canon: Settle's Guarini

  34–42
  Massimiliano Morini
  https://doi.org/10.5817/TY2021-1-3

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• "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn

  43–60
  Teresa Grant
  https://doi.org/10.5817/TY2021-1-4

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• "This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701)

  61–77
  Lisanna Calvi
  https://doi.org/10.5817/TY2021-1-5

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• Captain Macheath's execution lament in The Beggar's Opera

  78–91
  Stacey Jocoy
  https://doi.org/10.5817/TY2021-1-6

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• Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear

  92–100
  Filip Krajník
  https://doi.org/10.5817/TY2021-1-7

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• Translation and performance cultures: Spanish drama and Restoration England

  101–118
  Jorge Braga Riera
  https://doi.org/10.5817/TY2021-1-8

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• Address pronouns revisited: a case of theatre and translation pragmatics

  119–135
  Alba Graziano
  https://doi.org/10.5817/TY2021-1-9

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• Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy

  136–145
  Anna Cetera-Włodarczyk, Przemysław Pożar
  https://doi.org/10.5817/TY2021-1-10

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Spectrum

• From a sad Pierrot to a proud vizier: Honzl's Czech Broadside Ballads

  147–187
  Eva Šlaisová
  https://doi.org/10.5817/TY2021-1-11

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• From social democratic spirituality to socialist realism : the concept of the popular in Jindřich Honzl's thinking about theatre

  188–215
  Radka Kunderová
  https://doi.org/10.5817/TY2021-1-12

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• Radio director Josef Henke

  216–239
  Tomáš Bojda
  https://doi.org/10.5817/TY2021-1-13

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• Frank Wollman - dramatic text as an intentional given

  240–254
  Anna Zelenková
  https://doi.org/10.5817/TY2021-1-14

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Reviews

• Enacting the Bible in Medieval and Early Modern Drama

  263–266
  Eliška Poláčková
  https://doi.org/10.5817/TY2021-1-16

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• Conceptual metaphor theory cannot be just conceptual

  267–270
  Šárka Havlíčková Kysová
  https://doi.org/10.5817/TY2021-1-17

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• Notes on the new edition of Marcello's Il teatro alla moda

  271–273
  Klára Škrobánková
  https://doi.org/10.5817/TY2021-1-18

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• Shakespeare's treasure trove of Italian tales

  274–278
  Pavel Drábek
  https://doi.org/10.5817/TY2021-1-19

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• When audience in a theatre used to be a natural thing

  279–283
  Kateřina Šalounová
  https://doi.org/10.5817/TY2021-1-20

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• Poetika Osvobozeného v opavském výkřiku

  284–286
  Andrea Jochmanová
  https://doi.org/10.5817/TY2021-1-21

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• Vzácný moment v českém tanečněvědném diskurzu

  287–290
  Jitka Pavlišová
  https://doi.org/10.5817/TY2021-1-22

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• Autorsky rozeklaný portrét dvojčat

  291–294
  Luboš Mareček
  https://doi.org/10.5817/TY2021-1-23

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Events

• The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions

  295–298
  Anna Mikyšková, Klára Škrobánková
  https://doi.org/10.5817/TY2021-1-24

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• Behn's The Emperor of the Moon in 2020

  299–302
  Misty G. Anderson
  https://doi.org/10.5817/TY2021-1-25

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• Revisiting Restoration theatre through transnational interactions

  303–308
  Simona Hájková
  https://doi.org/10.5817/TY2021-1-26

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• In search for new realities in post-pandemic dystopia

  309–311
  Tereza Turzíková
  https://doi.org/10.5817/TY2021-1-27

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Archive

• William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals

  313–356
  M. A. Katritzky
  https://doi.org/10.5817/TY2021-1-28

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Others

• "Performance can reveal paths forward": interview with Amanda Eubanks Winkler

  255–261
  
  https://doi.org/10.5817/TY2021-1-15

  PDF (Czech)