Havlíčková Kysová, Šárka

• Vol.25,No.1(2022) (Reviews)

  Meaning-making in contemporary operatic performance

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• Vol.12,No.1-2(2009) (Spectrum)

  Theatre of independent India: Indian drama written in English

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• Vol.13,No.1(2010) (Reviews)

  Jana Pilátová: Hnízdo Grotowského: na prahu divadelní antropologie

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• Vol.13,No.1(2010) (Events)

  Brněnské setkání zástupců divadelních muzeí

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• Vol.13,No.2(2010) (Yorick)

  Sign systems of Asian theatre forms in context with Czech thinking on theatre

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• Vol.14,No.1(2011) (Yorick)

  A journey into theatrical space : the project of the Scenographic encyclopaedia and its Prolegomena

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• Vol.14,No.2(2011) (Spectrum)

  Susugigawa in an intercultural exchange: to theatrical interculturalism

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• Vol.14,No.2(2011) (Reviews)

  Ivan R. V. Rumánek: Japonská dráma nó : žáner vo vývoji

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• Vol.15,No.2(2012) (Hidden section)

  From the editors

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• Vol.15,No.2(2012) (Yorick)

  "Asian" theatre sign : its potential and its limits in the history of the Czech Structuralist thought

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• Vol.15,No.2(2012) (Reviews)

  Nicola Savarese. Eurasian theatre: drama and performance between East and West from classical antiquity to the present

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• Vol.15,No.2(2012) (Archive)

  Miroslav Kouřil's theory of scenography in the archive materials : a research report

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• Vol.16,No.1(2013) (Spectrum)

  Asian theatrical forms reflected in theoretical works by Jiří Veltruský

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• Vol.17,No.2(2014) ((III) Personalities and Methodologies of the Prague School)

  Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s)

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• Vol.17,No.2(2014) (Orientation)

  A fresh approach to old issues

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• Vol.18,No.1(2015) (Spectrum)

  Metaphors we act by : prospects and limits of the Czech cognitive theatrology

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• Vol.18,No.1(2015) (Reviews)

  From the score to the stage : an illustrated history of continental opera production and staging

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• Vol.18,No.1(2015) (Guests)

  Hledání nové perspektivy : rozhovor s Ákosem Seressem o kognitivní teatrologii

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• Vol.21,No.1(2018) (Reviews)

  Opera v současném světě

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• Vol.19,No.1(2016) (Yorick)

  Miroslav Kouřil and his approach to structuralism as a method and programme

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• Vol.19,No.1(2016) (Spectrum)

  The dramaturgy of the State Theatre in Brno under Václav Nosek and Miloš Wasserbauer

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• Vol.19,No.2(2016) (Hidden section)

  Editorial

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• Vol.19,No.2(2016) (Yorick)

  Stage metaphors in Verdi's Otello: Miloš Wasserbauer's State Theatre production (Brno 1967) in the context of Otello's staging tradition

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• Vol.20,No.1(2017) (Spectrum)

  Realism of Walter Felsenstein's Music Theatre: truth or myth?

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• Vol.20,No.1(2017) (Reviews)

  Inspirace v kognitivní filmologii: audiovizuální metafora jako analytický nástroj

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• Vol.20,No.1, Supplementum(2017) (Hidden section)

  Editorial

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• Vol.20,No.2(2017) (Spectrum)

  Theoretical work of Miloš Wasserbauer in relation to the contemporary thinking about staging opera

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• Vol.22,No.2(2019) (Reviews)

  Performativita – výlučná schopnost člověka

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• Vol.23,No.1(2020) (Reviews)

  Acquiring 'a new way of thinking about theatre...'

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• Vol.24,No.Special Issue(2021) (Chapter 3: Performing Power and Identity)

  Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989

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• Vol.24,No.1(2021) (Reviews)

  Conceptual metaphor theory cannot be just conceptual

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• Vol.25,No.2(2022) (Reviews)

  Hamlet jako člověk rozumu i emoce

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• Vol.26,No.1(2023) (Spectrum)

  Presages of contemporary theatre studies theories in Vladimír Jindra's structuralist theory of scenography

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• Vol.26,No.1(2023) (Depeše)

  Acting method as an (embodied) worldview

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• Vol.26,No.2(2023) (Reviews – Orientace)

  Život lidského ducha v herecké tvorbě

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• Vol.27,No.1, Supplementum(2024) Senekův Agamemnon v překladu Václava Renče (Hidden section)

  "Čeho se vítěz může bát?"

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• Vol.21,No.2(2018) (Editorial)

  Making space for Shakespeare in the Central European imaginary : editorial

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• Vol.27,No.1(2024) (Hidden section)

  Scenography: a motley stream of colours, forms, and layers : editorial

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